by W.D. Valgardson & illustrated by Michael Bisson ‧ RELEASE DATE: Oct. 1, 1997
Contemporary children struggle with ethical dilemmas in these sensitive and involving short stories, with black-and-white chapter illustrations to draw readers in. In ``The Sand Artist,'' Rainbow likes her life with her hippie mother in a little hut near the beach, and isn't sure she wants to move with her back to the city. Sam, a character who appears in several stories, is a computer nerd whose cyber-skills help him ``get a life'' in the real world. In ``Babysitting Kwon Lin,'' Richard learns to overcome language differences when he is abruptly drafted into taking care of his landlord's niece, who speaks only Chinese. In the title story, Jim and Angie escape their family problems by hanging out at a nearby creek that's polluted; when they discover that it used to be a spawning bed for salmon, they decide to clean up the creek in order to bring back the fish. In fact, Valgardson (Winter Rescue, 1995, etc.) repeatedly affirms youngsters' affinity for the natural world: In several of the stories the young protagonists attempt to restore to nature what adults have damaged. Ultimately, it's the author's recognition of how children and teenagers adapt to new situations and how they grapple with moral issues that make these tales ring true. (Short stories. 8-12)
Pub Date: Oct. 1, 1997
ISBN: 0-88899-297-1
Page Count: 132
Publisher: Groundwood
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
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by W.D. Valgardson & illustrated by Ange Zhang
by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: Sept. 1, 1996
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating...
Nicholas is a bright boy who likes to make trouble at school, creatively.
When he decides to torment his fifth-grade English teacher, Mrs. Granger (who is just as smart as he is), by getting everyone in the class to replace the word "pen'' with "frindle,'' he unleashes a series of events that rapidly spins out of control. If there's any justice in the world, Clements (Temple Cat, 1995, etc.) may have something of a classic on his hands. By turns amusing and adroit, this first novel is also utterly satisfying. The chess-like sparring between the gifted Nicholas and his crafty teacher is enthralling, while Mrs. Granger is that rarest of the breed: a teacher the children fear and complain about for the school year, and love and respect forever after.
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating tale—one to press upon children, and one they'll be passing among themselves. (Fiction. 8-12)Pub Date: Sept. 1, 1996
ISBN: 0-689-80669-8
Page Count: 105
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
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by Andrew Clements & illustrated by Mark Elliott
by Neil Gaiman ‧ RELEASE DATE: July 1, 2002
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...
A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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by Neil Gaiman ; illustrated by Various
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by Neil Gaiman ; illustrated by Chris Riddell
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by Neil Gaiman ; illustrated by Divya Srinivasan
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