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THE WISEST MAN IN AMERICA

After a couple of works with mixed results (Chekhov's Sister, 1990, etc.), Wetherell hits his stride as he comes home to his native New Hampshire to investigate elusive truth and wisdom. This is the story of two men: Max Thomas, a respected newspaper columnist, and Mr. Ferris, a New Hampshire logger. In 1952, the New Hampshire primary began generating national interest, and Max decided to make it the subject of his debut column in ``the country's most prestigious newspaper.'' After Max's car got stuck on a lonely dirt road, he stumbled upon Ferris, and the two spent the day discussing everything from his WW II service to his extensive self-education to ``his conception of himself as a totally free man.'' Max had the foresight to see that the nation was moving in Ferris's direction and asked Ferris who he thought would win the primary. Ferris bet on Ike, and Max followed through with a column containing Ferris's prediction every primary thereafter. The novel takes place before the 1996 election. Much has happened to them during their decades of friendship, and in clear and direct language, the two recount the relevant moments of their lives and how these experiences shaped who they are today: their imperfect families; the deaths of their wives; the failure of Ferris's friendship with a Russian POW; Max's discovery that his revered marine-biologist wife had falsified data to prove the fragility of the sea; Ferris's fond remembrances of a brief and secret affair with Max's wife; and Max's realization that his supposedly faithful wife was not all she seemed. These moments lead both of these opinionated men to admit that they don't know a thing compared to all that they once purported to know. And this newfound wisdom frees them in the most surprising way. Potent commentary, as two classically American men struggle to keep their sense of alienation from their country at bay.

Pub Date: March 24, 1995

ISBN: 0-87451-700-1

Page Count: 242

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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