A knowing thriller in which the world must be saved on several fronts from the fascist threat.
The seventh installment of Griffin's Men at War series dramatizes a pivotal moment in the campaign against Hitler, who plans on hitting London with "aerial torpedos" laced with nerve gas—this while the U.S. is still developing the atomic bomb back home.
The book opens in German-occupied Poland in the summer of 1943. Polish guerillas blow up railroad tracks to stop a train carrying scores of Jews to a death camp, only to a derail a private train with one car carrying a top Nazi officer. The incident sets in motion intelligence activities in Germany, Italy and Algeria designed to infiltrate the Nazis, turn some of Hitler's generals against him, and clear the way for the American invasion of Normandy—which Churchill steadfastly opposes, preferring to attack through the Mediterranean. There's also the question of who is selling Manhattan Project secrets to the Soviets. At the heart of the narrative are "Wild Bill" Donovan, headstrong chief of the Office of Strategic Services; his top agent, strapping 26-year-old Dick Canidy; Allen Dulles, head of the OSS in Switzerland; and his sympathetic old friend, German industrialist Wolfgang Kappler, whose son Oskar is a die-hard member of the SS. Hitler's top scientist, Wernher von Braun, plays a significant role in developing the V-2 rocket, years before he was whisked to the U.S. Griffin and Butterworth, his son, are completely at ease mixing fact and fiction, skillfully piecing together pieces of their narrative puzzle. Their writing is straightforward to a fault, sometimes reminding you of a scholastic "You Are There" novel, but the book never sags, and the characters never lose our interest.
A knowing thriller in which the world must be saved on several fronts from the fascist threat.Pub Date: Aug. 7, 2012
ISBN: 978-0-399-15751-6
Page Count: 400
Publisher: Putnam
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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