An affecting account of a driven man, a sturdy family, and a resilient community.
A star of The Wire and Treme debuts with the twin stories of his rising career and the slow return of his native New Orleans after Hurricane Katrina in 2005.
Pierce begins with a 2007 New Orleans street production of Waiting for Godot (he played Vladimir), a play, he argues, with profound relevance for the struggling city. From this play—more than 300 pages later he tells us more—the author returns to his slave ancestors and gradually brings us the stories of his father and mother, who are the real heroes here. His father worked two jobs to keep them in their neighborhood of Pontchartrain Park (later destroyed by the hurricane), and his mother, Tee, emerges as a towering character. The author comments continually about the importance of family, community support, and high expectations; he believes these were the principal factors in his early life, factors that helped him win a slot at Juilliard and a successful acting career. But we also see Pierce animated by Katrina’s devastations. He has become deeply involved in community restoration—he was able to get his parents back in their storm-ravaged home—and has some sharp words for the politicians and their cronies, many of whom complicate things. It’s appropriate that Pierce’s work is something of a gumbo—a mix of memoir, social psychology, literary analysis, and political and religious philosophy. Oddly missing is even the faintest whiff of anything about his personal life. Yes, we know about his roles, his intellectual and literary passions (the works of August Wilson among them), his friendships (Wynton Marsalis’ tribute to Pierce’s mother is an extraordinarily moving segment of the text), and his family history, but we learn nothing about any of his relationships—lovers? spouse? children?
An affecting account of a driven man, a sturdy family, and a resilient community.Pub Date: Sept. 8, 2015
ISBN: 978-1-59463-323-2
Page Count: 336
Publisher: Riverhead
Review Posted Online: June 7, 2015
Kirkus Reviews Issue: July 1, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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