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HAVANA DREAMS

A STORY OF CUBA

A socialite. A revolutionary. A sour grandmother. Gimbel, a literary scholar turned freelance journalist, weaves these characters together with a few history lessons for an enjoyably dramatic family-based tale. Gimbel summered in Cuba as a child with her Cuban grandmother, until the revolution, when her relatives came to the US. Returning to the island in 1991, she realizes her own family’s experience has become irrelevant. Instead, she focuses on the remains of another family, aristocrats before the revolution, who decided to stay. Gimbel’s heroine, Naty Revuelta, is still fighting her disillusionment by the revolution she supported in the1950s. A restless housewife and the unofficial press agent to Fidel Castro during his failed raid on the Moncada barracks in 1953, Naty began a flirtatious correspondence with Castro while he was in prison. The love letters the two exchanged are included here. When Castro was released, they consummated their affair, but he quickly disappeared, leaving Naty and her husband with his baby. Soon after the revolution, Naty dismissed her husband in the futile hope that she would reunite with Castro. Naty’s principal companion became her ancient mother. A woman who compared herself to Queen Elizabeth, Naty’s mother, was never a supporter of the revolution. She had stayed in Havana simply because she couldn—t think of living anywhere else. Anxious for guests who could appreciate her crystal and English china, Naty’s mother had little but caustic remarks for her daughter. Telling the tale of a divorced friend, she noted, “They didn’t start agitating for a communist revolution, just because things were difficult.” Naty and Fidel’s daughter had no patience for the revolution either, and found her 15 minutes of fame as a high profile defector to the US. Describing life in a Havana plagued with shortages of electricity, meat, and gasoline, Gimbel rejects dogma to tell an intensely personal story about how the revolution changed everything. (6 photos) (First printing of 50,000; author tour)

Pub Date: June 17, 1998

ISBN: 0-679-43053-9

Page Count: 288

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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