Spiteful roman à clef with some funny lines, though veddy British and brittle overall.
A farce from Holden (Farm Fatale, 2000, etc.) based on the oh-so-’80s notion that books are the new rock ’n’ roll, writers more fascinating than movie stars.
Grace Armiger, book publicist, mingles with England’s literary elite at exhaustingly hip parties. Scurrilous rumors and scandal are served up with the hors d’oeuvres as the bestselling authors of buzzworthy books drink themselves blind and backbite like mad. Is it true that Shooting Up, a coming-of-ager set in the South London projects, was actually not written by the spiky-haired, haggard young thing on the back cover? Did Airhead really win the Literary Review’s Bad Sex Award for the silliest spank-and-wank scene? Grace is distracted by Henry Moon, a raffishly sexy adventure author who goes down the Amazon as casually as ordinary mortals take the Tube. And then there’s Red Campion, action-movie star and global sex symbol, who wants her to have the first peek at what she assumes is a Hollywood kiss-and-tell. Enter Belinda Black, tabloid reporter with designs on the Globe’s celebrity-interviews column, written by the plump and plain Mo Mills, who knows just how to fawn over the rich and famous. But Belinda knows she could do better, and she needs a killer story, true or not. If only she could get her hands on the galleys of Red’s book! Lo and behold, he pressed a proof copy into Grace’s hands shortly before bedding her—and so Grace is the first to find out that it’s not Hollywood at all but a science-fiction potboiler about the US President turning into a frog (would Americans notice?). Fortunately, she’s distracted by a charming new book, The Neds of Twinky Bay. But who is its mysterious author? Could it be Henry? When the title lands on the bestseller lists, all is revealed, love triumphs, and wicked Belinda gets her comeuppance.
Spiteful roman à clef with some funny lines, though veddy British and brittle overall.Pub Date: March 5, 2003
ISBN: 0-452-28393-0
Page Count: 352
Publisher: Plume
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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