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TABLE TALK

Name: TABLE TALK
Author: Wendy Lesser
ISBN: 978-1619024571

FROM THE THREEPENNY REVIEW

edited by Wendy Lesser ; Jennifer Zahrt ; Mimi Chubb ‧ RELEASE DATE: Jan. 13, 2015

An invigorating collection of passionate, spirited voices.

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Pithy literary musings on art, culture, politics and life selected from the Threepenny Review’s Table Talk section.

Featuring essays published between 1990 and 2013, the anthology emulates a gathering of critics, philosophers, writers and artists in lively conversation. Topics vary from Sven Birkerts’ battle with a stray cat, mirroring his own restlessness, to Steve Vineberg’s commentary on the “seductiveness of celebrity” so well-articulated in John Guare’s play Six Degrees of Separation. While some contributions are time-specific, most resonate with a universality that goes beyond their publication dates. Life’s exasperating moments turn into humor in Dwight Garner’s account of moving preparations, which involved “Packing (and Lugging) My Library.” Irene Oppenheim’s attempt to help a neighbor becomes a lesson in the “art and etiquette [of] delivering phone books.” John Berger flexes his observational muscles, describing the mysterious ritual a Vietnamese woman goes through at a pool in Paris, and Greil Marcus, writing on the discovery of a 1925 Dorothea Lange photo of his mother, marvels at the photographer’s revelatory power. A lament for things lost echoes through several essays. Though technology can make life more convenient, Arthur Lubow wonders what is “getting left out” in our digitized lives and worries that “what’s new is a thinned-out version of what was old.” Evelyn Toynton mourns the closing of the British Museum Reading Room in service of efficiency, a rare space that “restores the old sense of time, a contemplative rather than harried awareness of its passing.” Claire Messud rues the disappearance from modern novels of digressions, replaced with reader-desired “closure.” “Real life,” she writes, “for all we try to impose order upon it, is but an endless string of digressions.” Without them, she writes, life would be “exceedingly dull.” Not so with this assemblage of ideas, critical thinking and wry observations, which is itself a swell digression. Other contributors include Michael Gorra, Javier Marias, Sigrid Nunez and Robert Reich.

An invigorating collection of passionate, spirited voices.

Pub Date: Jan. 13, 2015

ISBN: 978-1619024571

Page Count: 320

Publisher: Counterpoint

Review Posted Online: Oct. 21, 2014

Kirkus Reviews Issue: Nov. 1, 2014

Categories:

GENERAL NONFICTION

- BOOK REVIEW
SCANDINAVIAN NOIR
by Wendy Lesser

- BOOK REVIEW
JEROME ROBBINS
by Wendy Lesser

- BOOK REVIEW
YOU SAY TO BRICK
by Wendy Lesser

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IN MY PLACE

by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992

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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Categories:

GENERAL NONFICTION | BIOGRAPHY & MEMOIR

- BOOK REVIEW
MY PEOPLE
by Charlayne Hunter-Gault

- BOOK REVIEW
TO THE MOUNTAINTOP
by Charlayne Hunter-Gault

- BOOK REVIEW
NEW NEWS OUT OF AFRICA
by Charlayne Hunter-Gault

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A LITTLE HISTORY OF POETRY

by John Carey ‧ RELEASE DATE: April 21, 2020

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

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A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.