A gift of pleasure from one reader to another.
A lover of books reflects on her abiding passion.
More than a decade ago, Threepenny Review founder and editor Lesser (Music for Silenced Voices: Shostakovich and His Fifteen Quartets, 2012, etc.) wrote about the pleasures and insights gained from rereading (Nothing Remains the Same, 2002). Now, in a kind of prequel to that book, the author steps back to ask a broader question: Why read at all? “I am not really asking about motivation,” she admits, but rather about what “delights” and “rewards” she gets. Her responses, thoughtful as they are, offer few surprises. She reads “for meaning, for sound, for voice—but also for something I might call attentiveness to reality, or respect for the world outside oneself.” For Lesser, literary characters are more alive than actual people, and she sometimes finds it “hard to keep in mind” that authors “were all living, once.” Literature functions as a “time-travel machine of sorts”: Faulkner has taken her to the South, Dostoevsky to 19th-century Russia, Rohinton Mistry to the slums of Bombay. Her quest to discover why she reads is inseparable from the question of how she reads, which includes noting characterization and plot, as well as the quality of a writer’s voice, authority and empathy. She uses the term “grandeur” to refer to “panoramic or telescopic” views of reality that allow an author “to get at some kind of massive truth that is hidden behind the facades of daily existence.” Lesser has clear favorites among writers, with Henry James at the pinnacle. She prefers Thornton Wilder’s innovative plays to the self-aggrandizing fiction of James Joyce. Among D.H. Lawrence’s works, Sons and Lovers, she believes, is far greater than Lady Chatterley’s Lover. She has read books on an iPad and iPhone but loves the feel, smell—the solidity—of bound pages. She ends her celebration of books with 100 titles, culled through “excruciating excisions and hesitant substitutions.”
A gift of pleasure from one reader to another.Pub Date: Jan. 7, 2014
ISBN: 978-0-374-28920-1
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 10, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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