As mesmerizing as a mermaid’s kiss, the story dances with emotion, fire, and promise
Orr (Nim’s Island, 2001, etc.) delivers a fantasy that follows an ill-fated girl’s journey from abandoned to accepted.
When Aissa is born with tiny, pink thumbs wiggling from her wrists, the Lady, her mother, is furious. Why have the gods forsaken her, the Lady wonders. Unable to bear the imperfection of her child, she demands that the wise-woman Kelya take the child and toss it off a cliff. Kelya cannot do it, however, and instead places the babe with a family that has just lost a newborn. Thus begins the arduous journey of a child forced to survive by her wits, who seems doomed to suffer loss after loss. Orphaned a second time and now a nameless servant in the palace, now-12-year-old Aissa sees opportunity in being chosen a bull dancer, one of the yearly sacrifices to the Bull King—but without a name, she cannot be chosen. Orr tells her tale in both narrative poetry and prose for an effect that is both fanciful and urgent, drawing a rich fantasy landscape filled with people and creatures worthy of knowing. An introductory note describes Orr’s inspiration in the legend of the Minotaur, but her story is no retelling but a meditation on rejection and acceptance, on determination and self-determination. The shifts between poetry and prose build tension just as surely as the bull dances do.
As mesmerizing as a mermaid’s kiss, the story dances with emotion, fire, and promise . (Fantasy. 10-14)Pub Date: Oct. 27, 2017
ISBN: 978-1-77278-037-6
Page Count: 408
Publisher: Pajama Press
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)
Traumatized by his father’s recent death, a boy throws a brick at an old man who collects junk in his neighborhood and winds up on probation working for him.
Pearsall bases the book on a famed real work of folk art, the Throne of the Third Heaven, by James Hampton, a janitor who built his work in a garage in Washington, D.C., from bits of light bulbs, foil, mirrors, wood, bottles, coffee cans, and cardboard—the titular seven most important things. In late 1963, 13-year-old Arthur finds himself looking for junk for Mr. Hampton, who needs help with his artistic masterpiece, begun during World War II. The book focuses on redemption rather than art, as Hampton forgives the fictional Arthur for his crime, getting the boy to participate in his work at first reluctantly, later with love. Arthur struggles with his anger over his father’s death and his mother’s new boyfriend. Readers watch as Arthur transfers much of his love for his father to Mr. Hampton and accepts responsibility for saving the art when it becomes endangered. Written in a homespun style that reflects the simple components of the artwork, the story guides readers along with Arthur to an understanding of the most important things in life.
Luminescent, just like the artwork it celebrates. (Historical fiction. 10-14)Pub Date: Sept. 8, 2015
ISBN: 978-0-553-49728-1
Page Count: 288
Publisher: Knopf
Review Posted Online: June 9, 2015
Kirkus Reviews Issue: July 1, 2015
An abundantly diverting mystery seasoned with mild fantasy and just a little steampunk.
When his parents’ hotel fills up with a variety of unexpected guests just days before Christmas, Milo is caught up in mysterious goings-on.
The inn, hospitable to smugglers and named for its colored glass windows, sits on cliffs above the river Skidwrack. With the holiday interrupted by the demands of guests iced in by wintry weather, Milo finds both purpose and distraction in a role-playing game introduced by his new young friend, Meddy, and in a book of folklore given to him by a guest. A ghost story, a love story, a story of fabled relics and the tale of a legendary smuggler intertwine while Milo, in his game persona, finds longed-for skills and strengths. Each guest seeks a secret treasure in the old house, while Milo, out of loyalty to his adoptive parents, hardly dares name his own secret quest: to know more about his Chinese heritage. Milford’s storytelling is splendid. Stories within the story are rich and layered; clues are generously offered; even the badly behaved visitors seem fairly good-humored until the worst reveals true perfidy at the last; the many threads of the tale all tie up. Milo’s world seems comfortably contemporary; the current history of his parallel world is mostly background that’s revealed at the close.
An abundantly diverting mystery seasoned with mild fantasy and just a little steampunk. (Mystery/fantasy. 10-14)Pub Date: Aug. 26, 2014
ISBN: 978-0-544-05270-3
Page Count: 384
Publisher: HMH Books
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
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