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THESE WALLS BETWEEN US

A MEMOIR OF FRIENDSHIP ACROSS RACE AND CLASS

A moving account of awareness of privilege and the courage to move beyond it.

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A memoir of a relationship between a domestic worker and her employer’s daughter.

Sanford, a founding member of the Boston Women’s Health Book Collective and co-author and co-editor of multiple editions of Our Bodies, Ourselves, offers a riveting account of her friendship with her family’s housekeeper. Growing up in a well-off WASP family, Sanford experienced all the perks of their world. The story begins with the arrival of a young Black domestic worker named Mary White, who was just 15—barely older than the author—when she started working for the family in 1956.The book chronicles the changing dynamics of their relationship—which became a close friendship—along with Sanford’s own process of moving away from her privileged milieu and later coming out as a lesbian. White was never treated“like one of the family” even though she became an invaluable member of the household—even caring for the author’s mother when she was seriously ill. She worked for Sanford’s family for many years in many capacities, even after finding work as a corrections officer. The author tells of how White managed and covered for severe family problems, including both parents’ alcoholism and Sanford’s father’s abusive behavior. She also describes how White’s work led to a great deal of self-sacrifice, including following Sanford’s parents to Florida when they retired there, and why she did so wasn’t always about money. Over the course of this book, the author reflects on the personal growth and increasing awareness that accompanied her changing relationship with White. Along the way, she effectively highlights the uneasy dance that she undertook as they moved away from an employer-employee dynamic and how she learned to let White do her job when she was on the job (“My resistance to her proffered help assaulted her in ways I would later come to regret”). Overall, it’s an excellent and revealing account of their friendship, although it’s likely to make readers wish that White could have written a parallel memoir telling her own story.

A moving account of awareness of privilege and the courage to move beyond it.

Pub Date: N/A

ISBN: N/A

Page Count: 318

Publisher: She Writes Press

Review Posted Online: July 1, 2021

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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  • New York Times Bestseller

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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  • New York Times Bestseller

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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