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THE THIRD ORDER

Sometimes awkward but a satisfying synthesis of mystery, history, and emotion.

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Thomson (Summon the Tiger, 2016) taps into the powerful emotional satisfaction that comes with solving a puzzle in this cozy mystery.

Maggie Fraser’s status as a fish out of water has served her well. After getting her business degree in Scotland, she moves to New York—far from her home and her well-meaning but overprotective family. She initially finds Manhattan inhospitable, but she meets and falls in love with Ben, a genuine, caring student who changes her outlook. Stilted dialogue somewhat undercuts the building chemistry and romance, but the warmth of the characters’ emotions nevertheless shines through: “I have always been interested in amazing structural designs, especially of ancient buildings. The arches with keystones. Flying buttresses and the strength seen in old, old structures that have allowed them to remain for hundreds, even thousands of years.” Despite concerns over where their respective careers might take them, they marry and find themselves in Italy, where Maggie is the happiest she’s ever been. Maggie’s life takes a harsh, strange turn when tragedy occurs, and she subsequently discovers a strange amulet. Investigating the relic’s origins takes her across the world and embroils her in a web of international intrigue that involves her family, friends, and confidants. It’s in these murky waters that Maggie begins to find herself, and in the unexpected sleuthing, she finds she’s not alone. Thomson’s prose is generally solid, but it sometimes resorts to telling rather than showing, even at the story’s most emotional moments: “She yanked her hands free and, crying uncontrollably, ran towards the stairs, towards her room. She was stopped by another policeman, who took her into his arms and hugged her strongly.” Nevertheless, the pacing is quick, and the element of travel provides rich backdrops and description. Readers will find the unfolding story charming and ultimately affirming.

Sometimes awkward but a satisfying synthesis of mystery, history, and emotion.

Pub Date: Sept. 26, 2018

ISBN: 978-1-73284-891-7

Page Count: 299

Publisher: Quitt and Quinn

Review Posted Online: Nov. 27, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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