This thriller aims right for the heart and never lets go.
A tense thriller explores the bond between sisters and family dynamics that give new meaning to the term “dysfunctional.”
Three years ago, 17-year-old Emma Tanner and her 15-year-old sister, Cassandra, left home, disappearing into the night; as Walker's (All Is Not Forgotten, 2016, etc.) book opens, Cass shows up at her family’s house—without Emma. Dr. Abby Walker of the FBI, a forensic psychiatrist who’s been on the case from the beginning, is desperate to find out what happened and to find Emma before it’s too late. Cass tells Abby she and Emma had been arguing the night they took off and that it soon became obvious that Emma was packing up to leave. Cass, hoping to get her sister in trouble, hid in the car when Emma drove off, heading to the beach, where she was met by a man and woman Cass didn't recognize. When Cass revealed herself, they decided to take her with them as they left for a remote island off the coast of Maine. Emma was pregnant, Cass says, and the couple had offered to help her, but what they really had planned was to keep the baby for themselves. Cass finally managed to escape, she says, but without Emma. It’s a harrowing tale, and Cass says all she wants is to find Emma, but Abby suspects she's hiding something. Cass’ first-person narrative, interspersed with Abby’s investigation, paints a shocking picture of Cass’ ordeal and her family’s disturbing history. Her mother, Judy Martin, has always used her beauty and charm to manipulate her family, and her girls had to flatter her to win her affection. She was jealous of the attention given to her beautiful daughters, which threatened her fragile ego, and she was always scheming to get what she wanted—even seducing her stepson, Hunter, who was obsessed with Emma. Cass is a survivor, forced to become an adult very quickly, and readers will root for her as she tells her disturbing story and looks back on what could have been, when hope was all she and Emma had.
This thriller aims right for the heart and never lets go.Pub Date: Aug. 8, 2017
ISBN: 978-1-250-14143-9
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
Thriller fans will delight in this latest escapade. Cussler and co-author Burcell have delivered a winner.
The 10th and latest Sam and Remi Fargo adventure (The Romanov Ransom, 2017, etc.) is a fast-paced tale that reaches back to the early days of automotive glory.
In Manchester, England, in 1906, the Gray Ghost has gone missing. That’s the Rolls-Royce prototype developed by Charles Rolls and Henry Royce, and the loss threatens to financially ruin them. They hire a detective to locate it, but he is murdered. In the present day, Sam and Remi Fargo hear about the car, which turned up after World War II but is now missing again. It's always been owned by the Payton family, which generations ago was the Oren-Payton family, and may be worth many millions of dollars. Raising the stakes even higher, the 1906 thieves may have hidden treasure inside the car, though there was no trace of it when the Gray Ghost was found after the war. But jealous modern-day cousin Arthur Oren has the car stolen and then loses track of it—has the thief he hired stolen it twice? It’s a complicated and clever plot, with Sam and Remi trying to find it for the current owner, Lord Albert Payton, Viscount Wellswick. The 1906 journal of Jonathon Payton, fifth Viscount Wellswick, provides a solid backstory. The Fargos are great series characters, whip-smart and altruistic self-made multimillionaires who can afford to take time from their charity work to dabble in dangerous adventures. Oren knows they’re involved, and he wants them both dead and the car returned. An accomplice suggests first making the Fargos destitute by freezing their bank accounts and credit cards. Then the bad guys can arrange a fake suicide. It’s fun to watch Sam and Remi get out of dicey scrapes, once by driving an Ahrens-Fox pumper fire engine out of a blazing building. Oren asks, “How hard is it to knock off two socialites?” He finds out the hard way; he should have just acquainted himself with Cussler’s series.
Thriller fans will delight in this latest escapade. Cussler and co-author Burcell have delivered a winner.Pub Date: May 29, 2018
ISBN: 978-0-7352-1873-4
Page Count: 400
Publisher: Putnam
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...
Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.
It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.Pub Date: July 25, 2005
ISBN: 0-375-40677-8
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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