Briskly paced, but the slight characterizations rely on overdone stereotypes of the überclasses.
Superrich sybarites cope with secrets, “teenstrangers” and recalcitrant contractors.
Except for the relative wealth involved, the premise of Walker’s second novel will remind readers of her first (Four Wives, 2008): A quartet of wives comes together to plan an event. Rosalyn, spouse of affable billionaire Barlow, is gatekeeper to the suburban social nirvana known as Winchester, Conn. Rookie social climber Sara, who gave up investigative journalism for marriage to Wall Street wunderkind Nick, is secretly on the pill; she’s conflicted about having a second child. (Sara and Nick occupy a McMansion-in-progress, in thrall to a builder who is overbearing and way, way over budget.) Jacks fears, based on frequent forays into her husband David’s locked briefcase, that his hedge fund has gone bust after a disastrous Vegas hotel deal and that the Feds, and possibly Mafia loan sharks, are after him. Contentedly married Eva plays only a minor role as fixer and occasionally, for reasons that are never adequately explained, agent provocateur. (Aware of Jacks’ clandestine affair with Barlow, Eva engineers a coincidence that will redirect Rosalyn’s jealous suspicions to Sara.) The wives’ organizational juggernaut is deployed on behalf of Rosalyn’s 14-year-old daughter Caitlin, a freshman at tony Winchester Academy who was caught fellating the school’s hottie-in-chief, Kyle. Trying to save face, and battling demons from her own similar imbroglio decades before, Rosalyn spearheads a parents rally at which a prominent sexologist will warn that in the new teen mores relationships, commitment and responsibility are being replaced by the Friends with Benefits phenomenon. Caitlin, the “teenstranger” (her father’s exasperated term), is infatuated with Kyle, even as she senses she’s just a puppet in mean-girl Amanda’s preppy version of Dangerous Liaisons. An Internet chat room offers solace, but is Caitlin’s virtual friend just another manipulator?
Briskly paced, but the slight characterizations rely on overdone stereotypes of the überclasses.Pub Date: Sept. 1, 2009
ISBN: 978-0-312-37816-5
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
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