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THE BUTLER

A WITNESS TO HISTORY

Poignant and powerful.

A distinguished Washington Post journalist’s account of the black White House butler who bore witness to eight presidential administrations.

When Haygood (Sweet Thunder: The Life and Times of Sugar Ray Robinson, 2009, etc.) was covering the campaign of Barack Obama in 2008, he knew beyond any doubt that the former Illinois senator “was indeed going to get to 1600 Pennsylvania Avenue, to the White House.” It was then that the author decided to see whether he could locate a black person “from the era of segregation” who had been a presidential servant. His investigations led him to an unassuming man named Eugene Allen. Born on a Virginia plantation, Allen grew up working as a houseboy for a white family. Possessed of refinement, discretion and a desire to make good in the world, he took a job as a waiter in a country club and then as pantry worker in the Truman White House, eventually rising to the rank of butler. From his unique vantage point “in the hard shadow of power,” Allen witnessed history unfurl before him. He watched as President Dwight D. Eisenhower called on federal troops to protect black high school students in Arkansas, and he witnessed a nation mourn the death of JFK and become embittered over Johnson’s escalation of the Vietnam War and Nixon’s role in the Watergate scandal. Allen’s story, which began as a front-page article in the Post, would become the subject of a much-anticipated film, The Butler, which Haygood also discusses in context of the fraught and elided history of African-Americans in Hollywood. The book is brief, but the two sections and many images of Allen’s quietly extraordinary life speak volumes about a nation struggling, and succeeding by degrees, to come to terms with an ignominious history of racial inequality.

Poignant and powerful.

Pub Date: Aug. 30, 2013

ISBN: 978-1-4767-5299-0

Page Count: 112

Publisher: Atria

Review Posted Online: June 19, 2013

Kirkus Reviews Issue: July 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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