With Minoan civilization destroyed by the eruption, Taita routs the Hykos, albeit still in perilous control of lower Egypt,...
Delving again into ancient history, Smith (Vicious Circle, 2013, etc.) returns to the adventures of Taita, first a slave and then diplomat-warrior for pharaohs.
From a Thebes redoubt, young Pharaoh Tamose rules part of a divided Egypt. Hykos invaders control the lower Nile. Tamose, however, has a secret weapon: the eunuch former slave, Taita, a polymath genius. To reclaim lost land, Tamose, with Taita carrying the emblem of absolute authority (the royal hawk seal), must form alliances with King Nimrod of Babylon and the Supreme Minos of Crete. First, Taita leads a false-flag raid on the Hykos’ Mediterranean fort of Tamiat, looting a treasure of silver ingots. Next comes a cross-desert trek to Babylon, all thirst and duplicitous Bedouins. Along the way, Taita loses his battle to preserve the virginity of the pharaoh’s nubile sisters, Tehuti and Bekatha, meant as brides for the Supreme Minos of Crete, meaning sure diplomatic complications. Finally, amid sea battles and barbaric rituals involving giant aurochs, Taita, guided by visions of the goddess Ishtar, secures the alliance, an arduous undertaking because "the Minoans in general were a sullen and difficult people, and extremely hostile towards strangers and foreigners." Taita serves Tamose well and becomes "a nobleman and a member of my inner council," but as a protagonist, Taita is a one-note hero: constantly self-congratulatory, too inevitably right, too sure to survive. Smith, in fact, tends to write characters as uniformly good or bad. In a narrative that often seems rushed, key elements are covered by quick exposition to accelerate the plot, as when Mount Cronus erupts and Taita rescues Tehuti and Bekatha. However, there’s also much action, battles and gore, and sufficient particulars of landscapes and people, food and drink to satisfy history buffs.
With Minoan civilization destroyed by the eruption, Taita routs the Hykos, albeit still in perilous control of lower Egypt, which suggests Smith’s eunuch/warrior/statesman has another adventure in store.Pub Date: Oct. 21, 2014
ISBN: 978-0-06-227645-2
Page Count: 480
Publisher: Morrow/HarperCollins
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Aug. 15, 2014
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...
The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.
In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.
While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.Pub Date: Aug. 20, 2013
ISBN: 978-0-670-02661-6
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: July 17, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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