WAR CRY

Occasionally melodramatic, sometimes grandiloquent; those who liked Wouk’s War and Remembrance will certainly enjoy this...

Continuing Smith’s Courtney family epic (Assegai, 2009, etc.), this novel focuses on big-game hunter Leon and his daughter, Saffron, during the post–World War I era, first on their great Kenya estate, Lusima, and then as they move toward the bloody fray that became World War II.

It’s an action-packed affair beginning in Africa with coltish young Saffron outdoing the boys on horseback, then attacking Saint Moritz’s men-only Cresta Run skeleton-racing course, and ending with her manning a Vickers gun to protect the Greek nation’s gold bullion reserves. The tale regularly shifts to Leon, too, but Saffron’s adventures extend the Courtney legend, including when she falls in love with an "immediate, instinctive, animal passion" worthy of her clan. The attitude throughout is Old World British colonial, as is the dialogue. There’s more than one reference to "the local peasantry." Saffron attends school in South Africa and Oxford. There she makes German friends who will lead to connections regarding her father’s fortune and makes a disconcerting reacquaintance with his old enemies, the von Meerbach dynasty. As this story ends, Saffron is spotted by a mysterious older gentlemen connected to Britain’s Special Operations Executive, while the man who stirred her animal passion is witness to the Babi Yar massacre. Meanwhile, Leon’s been forced to helm the family's Cairo-based business, which is threatened by brother Frank’s worship of Oswald Mosley. With cameo appearances by the founder of the Muslim Brotherhood, Hitler, and Reinhard Heydrich and traveling everyplace from the Ritz in London to a Masai village, the story is wonderfully plotted, woven together by quick but not disconcerting cinematic shifts from scene to scene in a narrative that keeps the pages turning.

Occasionally melodramatic, sometimes grandiloquent; those who liked Wouk’s War and Remembrance will certainly enjoy this Smith saga.

Pub Date: April 4, 2017

ISBN: 978-0-06-227649-0

Page Count: 512

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: March 1, 2017

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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