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MY LIFE AS A FAN

The prolific Sheed (Baseball and Lesser Sports, 1991, and many others) on his childhood love of baseball, pitched with typical Sheedian wit and warmth. As a kid, Sheed had the baseball bug bad. This makes him no different from any American sandlot Johnny—except that Sheed was a British boy, tossed across the Atlantic at the age of nine in the initial throes of WW II. Moreover, any sports interest at all was a decided oddity in his ``egghead'' family. So when, in 1941, he discovered America's pastime, it became something of an obsession, a fetishistic frenzy of statistics and idolatries. His baseball heart grew larger as he aged: At first caught by the miserable Philadelphia Athletics, it expanded to take in the St. Louis Cardinals' Gas House Gang (Dizzy and Daffy Dean, et al.) and then the wacky, benighted Brooklyn Dodgers, rooting for which Sheed likens to taking ``the losing side in the Thirty Years War'' (a cross that Sheed carried until the ``diabolical'' Walter O'Malley heisted the Dodgers to California in 1958). Sheed enthuses about Leo Duroucher (``the name of his game was Uproar''); the ``miracle'' of Ted Williams; the fat bat of Jimmy Foxx. Quirky truths tumble out: that ``the teams that break your heart are the ones that play in funny stadiums'' (Cubs, Red Sox); that the advent of the slider was the ``Great Divide'' between the ancient and modern eras, a Rubicon that Williams and Musial crossed with ease but that ruined DiMaggio; that, truth be told, a 12-year-old understands baseball to its depths, and adult insight adds nothing to the mix. A true fan, with eyes wandering now and then to football (but ``football was work, like plowing snow; baseball was play'') and other sports, yet ever faithful to ``the perfect game, the one they play in heaven.''

Pub Date: June 1, 1993

ISBN: 0-671-76710-0

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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