Not likely to hold wide appeal, but a solid choice for scholars and folk-music lefties.
Overdue rediscovery of folk music’s great agitator.
“I was born to be a reddical,” wrote Woody Guthrie (1912–67) at age 40. His father was a socialist-hating, small-town politician, but Guthrie learned during the 1930s Dust Bowl to identify with America’s underclass, writes Kaufman (American Literature/Univ. of Central Lancashire, England; American Culture in the 1970s, 2009, etc.) in this deft exploration of the lyrics and activism of a singer-songwriter whose anti-capitalist radicalism has been buried in romantic celebration of “the Dust Bowl Troubadour.” Few Americans realize that “This Land Is Your Land,” written out of his strong dislike of Irving Berlin’s sanctimonious “God Bless America,” contains verses condemning private property and challenging the authoritarian state. The author uses many previously unpublished materials from the Woody Guthrie Archives to show the singer’s efforts to expose “the system” in songs, poems and articles (his “Woody Sez” column ran for years in the People’s Daily World). A Communist sympathizer, he was not one for political theory: “His greatest artistic and critical strength,” writes Kaufman, was giving radical theory a human face. Beginning with his political awakening by California actor-activist Will Geer, who introduced Guthrie to progressive causes, the author chronicles the singer’s increasing militancy during the Popular Front and Cold War eras, including work with Lee Hays, Pete Seeger and many others in left-wing circles. By 1956, when he was committed to a psychiatric hospital with neurological disintegration from Huntington’s disease, the singer had become the “new patron saint of American folk music.” Guthrie wrote more than 3,000 songs that exist in archives; others were never written down. His political edge was lost in the mass-market folk-music revival of the 1960s, but now flourishes in the work of progressive musicians from Bruce Springsteen to Ani DiFranco and Emmylou Harris.
Not likely to hold wide appeal, but a solid choice for scholars and folk-music lefties.Pub Date: April 1, 2011
ISBN: 978-0-252-03602-6
Page Count: 264
Publisher: Univ. of Illinois
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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