Experienced sailors and landlubbers alike will find Sofrin’s work a pleasure to read.
A memoir of the voyage of a replica warship from Rhode Island to California.
In his debut book, Sofrin recounts his 2002 journey from Newport, Rhode Island, to San Diego, California, aboard a replica of an 18th-century English Royal Navy frigate named Rose. The ship had been purchased by Twentieth Century Fox to be used in the making of the film Master and Commander: The Far Side of the World, based on the Aubrey-Maturin series of novels by Patrick O’Brian. At the time, Sofrin was 21, with few job prospects, but he had recently spent time sailing a boat in Europe. With some hesitation, he accepted the position in Newport, working to help prepare the ship to make the trip. Later, he was asked to join the crew as a deckhand and carpenter for the passage as well as to stay on to assist with the movie. “I had assumed that I’d be spending most of a single day on Rose, doing a bunch of dirty work that nobody else wanted to do,” writes the author. “Instead, I had just been offered a paid crew position to sail from Newport to California to make a movie.” Sofrin vividly describes the motley crew and diligently chronicles their charted course through the Panama Canal and on to various locations in Mexico before docking in San Diego. They departed Newport in January and soon began encountering problems, including electrical fires, water leaks, massive waves, and gale force winds, which had them fearing they would have to abandon ship. Forced to reevaluate “how to handle adversity,” Sofrin realized that “the only way out was through.” With an enthralling style, Sofrin recounts these events as well as the personality dynamics that developed aboard the ship. Throughout, the author also discusses historic and modern aspects of sailing and accompanies his narrative with technical drawings and photographs.
Experienced sailors and landlubbers alike will find Sofrin’s work a pleasure to read.Pub Date: April 18, 2023
ISBN: 9781419767067
Page Count: 272
Publisher: Abrams
Review Posted Online: Jan. 31, 2023
Kirkus Reviews Issue: March 1, 2023
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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