An exceptional storyteller in fine form.
A London-based writer finds himself stuck in the webs of British intelligence.
It’s 1960 and Gabriel Dax is flying home to England after interviewing Congolese Prime Minister Patrice Lumumba when a series of “strange coincidences” begins. He’s upgraded to first class and a woman on the plane is reading one of his travel books. Back home he finds someone has left his flat in “careful disarray,” and the plane woman appears in his neighborhood. She soon reappears, says she’s from MI6, and asks him to “do us a small service.” The job goes smoothly except for the woman who plants heroin on Gabriel, which he discovers before the police do, and the CIA man who’s interested in the tape recording of the Lumumba interview because it reveals a direct link between the prime minister’s subsequent assassination and former U.S. President Dwight D. Eisenhower. Boyd sets his story not long after news of Guy Burgess and the other Cambridge Five double agents began to emerge. Dealing with such moles becomes a larger theme of the book and provides a nasty twist at the end. In this murky world, Gabriel is a kind of Evelyn Waugh naif caught in a Graham Greene plot, and one of the book’s pleasures is his entirely plausible resourcefulness as challenges grow more perilous. While Boyd craftily ramps up the complications for his reluctant spy, he also gives him a full life apart from intelligence errands. He has embarked on a new travel book, about major rivers. He’s enjoying great sex with a woman who doesn’t seem to demand much more. And he has begun therapy sessions for insomnia and dreams that recall when he was 6 and his house burned down, leaving his mother dead while he barely escaped. Boyd doesn’t quite weave all these strands into a neat little package, but it’s still a highly entertaining book that can easily bear a few loose ends.
An exceptional storyteller in fine form.Pub Date: Dec. 3, 2024
ISBN: 9780802164872
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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