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THE MONKEY'S FIST

The mandarins of the new world order sure make a mistake when they pick on retired D.C. cop Eddie Nickles (Playing the Dozens, 1990), who's just trying to buy his daughter a graduation gift. To pick up a quick $10,000 toward Priscilla's Mustang, Eddie agrees to take on the case of Toddy and Helen Grehm, slain stalwarts of the Iberia Trading Company, at the behest of Grehm friend Garland Bolles. There's a clear lead the Metropolitan Police haven't followed up: a photo of a man trying to use Helen's ATM card a few hours after her murder. But when Eddie and a homeboy buddy identify the ATM thief, he swears he didn't kill any white folks. Shortly after, he's dead, and things don't look too good for Eddie, who barely manages to repel a pair of masked intruders who've obviously been sent to his house to tie off a loose end. Eddie's convalescence is enlivened by the discoveries that (1) Garland Bolles doesn't exist; (2) Iberia Trading is actually a cover for a nest of American spies, counterspies, and assorted wheeler-dealers; (3) not everybody in the tight little peninsula of Iberia and its kissing cousin, the Special Projects Directorate, gets along with everybody else (though some of them are downright matey with their Russian counterparts); (4) Helen Grehm's funeral may have been premature; and (5) this cloak-and- dagger stuff seems to have been furnished with all the paraphernalia from The Man from U.N.C.L.E. (laughably innocuous front organization, unflappable security director, loose-cannon operatives enslaved by their own lusts—well, maybe it's not all out of U.N.C.L.E.). Coolly surveying the formidable array of international talent arrayed against him, Eddie takes them all on—in a cheeky, intermittently amusing little-man fantasy that tries, but fails, to do for the international espionage community what The Doorbell Rang did for the F.B.I. The Gallant Little Tailor vs. the CIA, the KGB, and the harried reader's credulity. (First printing of 75,000; $75,000 ad/promo; author tour)

Pub Date: July 1, 1996

ISBN: 0-670-85129-9

Page Count: 368

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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