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DARK WINTER

When the Pulitzer Prize–winning science writer turns to fiction (Ice Reich, 1998, etc.), the authenticity of his settings is...

Murder stalks the South Pole in this near-miss thriller.

From February to October, the Amundsen-Scott research base totally shuts down: nothing goes in, nothing goes out. “Like living in a submarine,” weatherman Jed Lewis is warned as he disembarks the plane and adds himself to the Amundsen-Scott roster. Twenty-six staffers, eighteen men and eight women, are assigned to maintain equipment and keep tabs on temperatures that can plunge to 110 below. And not one of these “winter-overs”—well, maybe one—could have possibly imagined the horrors just around the corner. In a terrifyingly short period of time, murder shrinks the base company to 16, and unhappily for Jed the killings are dramatically coincident with his arrival. No surprise, then, that in a society as closed and intense as this, last-in should become first-suspected, the designated scapegoat. Protestations of innocence are ignored. Exculpatory evidence gains Jed nothing. And it's true, he does have a secret. Geologist Jed has been sent to a place where there is no geology to bring off a hush-hush meeting with astronomer Michael Moss, the base's star scientist. Moss has found a rock where rocks never are, except those that land as the result of a meteor shower. If, as Moss hopes, this particular fragment originated on Mars, then its value as a collectible begins in the multimillions. Are the murders motivated by greed? If not, then what? Tempers fray, the winter seems endless, Ned falls farther out of favor but in love with a winsome nerd. The overly delayed denouement, however, falls flat.

When the Pulitzer Prize–winning science writer turns to fiction (Ice Reich, 1998, etc.), the authenticity of his settings is always a plus. It's his cardboard characters that continue to let him down.

Pub Date: April 24, 2001

ISBN: 0-446-52675-4

Page Count: 388

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2001

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ORIGIN

The plot is absurd, of course, but the book is a definitive pleasure. Prepare to be absorbed—and in more ways than one.

Another Brown (Inferno, 2013, etc.) blockbuster, blending arcana, religion, and skulduggery—sound familiar?—with the latest headlines.

You just have to know that when the first character you meet in a Brown novel is a debonair tech mogul and the second a bony-fingered old bishop, you’ll end up with a clash of ideologies and worldviews. So it is. Edmond Kirsch, once a student of longtime Brown hero Robert Langdon, the Harvard symbologist–turned–action hero, has assembled a massive crowd, virtual and real, in Bilbao to announce he’s discovered something that’s destined to kill off religion and replace it with science. It would be ungallant to reveal just what the discovery is, but suffice it to say that the religious leaders of the world are in a tizzy about it, whereupon one shadowy Knights of Malta type takes it upon himself to put a bloody end to Kirsch’s nascent heresy. Ah, but what if Kirsch had concocted an AI agent so powerful that his own death was just an inconvenience? What if it was time for not just schism, but singularity? Digging into the mystery, Langdon finds a couple of new pals, one of them that computer avatar, and a whole pack of new enemies, who, not content just to keep Kirsch’s discovery under wraps, also frown on the thought that a great many people in the modern world, including some extremely prominent Spaniards, find fascism and Falangism passé and think the reigning liberal pope is a pretty good guy. Yes, Franco is still dead, as are Christopher Hitchens, Julian Jaynes, Jacques Derrida, William Blake, and other cultural figures Brown enlists along the way—and that’s just the beginning of the body count. The old ham-fisted Brown is here in full glory (“In that instant, Langdon realized that perhaps there was a macabre silver lining to Edmond’s horrific murder”; “The vivacious, strong-minded beauty had turned Julián’s world upside down”)—but, for all his defects as a stylist, it can’t be denied that he knows how to spin a yarn, and most satisfyingly.

The plot is absurd, of course, but the book is a definitive pleasure. Prepare to be absorbed—and in more ways than one.

Pub Date: Oct. 3, 2017

ISBN: 978-0-385-51423-1

Page Count: 461

Publisher: Doubleday

Review Posted Online: Sept. 30, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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THE A LIST

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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