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BROTHERS NO MORE

A stylish, Shavian (as in Irwin), and unabashedly commercial entertainment that allows the ever-elegant Buckley (A Very Private Plot, 1993, etc.) to poke wicked fun at, among other targets, the moral legacy of FDR. Henry Chafee and Daniel Tracy O'Hara served together as US infantrymen in WW II Italy. Although Henry's nerve failed during an assault on German lines, Danny covered for him, and an ambiguous bond was formed. After the war, Henry (the industrious son of a widowed librarian) and Danny (a privileged grandson of the late President Roosevelt) room together at Yale; here, the one earns a reputation as a fearless student athlete, while the other majors in wine, women, and song. Then, on a summer holiday abroad, Danny is shaken down by a Riviera ponce. With Henry's help, he recovers incriminating photos from the would-be extortionist, but, unbeknownst to his friend, Danny also kills the importunate blackmailer. Back in the States, the lads graduate and go their separate ways, Henry to Time magazine as a reporter and Danny into the hotel business. They remain close, though, because Danny marries Henry's lovely, devoutly Catholic sister, Caroline. Meanwhile, as Danny climbs the corporate ladder and yields to financial as well as fleshly temptations, hard-working Henry makes a name for himself as a foreign correspondent in Vietnam, where he repeatedly proves his physical courage. Then Danny's long, tall sister Lila learns her brother is an embezzler and forces him not only to make restitution but to quit his executive post. To escape subsequent exposure, the hard-drinking philanderer commits another murder. Henry eventually brings Danny to book back in southern France, where he's been interviewing Georges Simenon on unsolved cases the Belgian novelist uses as material for his mysteries. A tony tale of crimes and punishments.

Pub Date: Sept. 1, 1995

ISBN: 0156004763

Page Count: 304

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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