An intimate, insightful meditation on the science, art, and business of healing.
A doctor reflects on medicine and the human drama underlying it in this heartfelt memoir.
Friedman recaps his 44-year career as a neurosurgeon, including a long tenure as the chairman of the department of neurosurgery at the University of Florida, in loose, episodic chapters full of reminiscences, medical lore, case studies, policy briefs, and philosophical musings. Among the grab bag are his recollections of confusion, anxiety, and sleep deprivation as a resident; detailed descriptions of surgical procedures; a poignant elegy on his mother’s decline and death from a brain tumor; explanations of his groundbreaking research into using electrical monitoring of neural activity to guide neurosurgeons; a sharp critique of American health care, which he calls a “disgrace” for its high cost, poor quality, and lack of universal coverage; a look at his own efforts to improve quality in his neurosurgery department with checklists and meticulous teamwork; a lengthy account of the assassination of Abraham Lincoln, complete with the autopsy report; and a plangent chapter authored by his colleague Jobyna Whiting recounting an incident in which she treated a doomed victim of an auto accident and the shame-ridden man who killed her. Friedman’s narrative is a bit of a ramble, but his workmanlike prose and lucid discussions of complex medical issues make the many digressions a pleasure to follow. Personal relationships are central to his portrait of doctoring: He’s warmly appreciative of supportive teachers and mentors—and critical of the “impatience” and “cruelty” of others—and conveys both the camaraderie of medical practice and the occasional eruptions of poisonous office politics, including bogus allegations of financial misconduct leveled at him by an underperforming surgeon he tried to fire. He’s at his best in describing the emotional turmoil that besets every doctor amid the vagaries of life and death. (“A woman with everything to live for had come to me for help and, instead, had died….And thus began the process that occurs every time I have a bad result: relentless self-doubt and self-loathing. You veer into imposter syndrome where, for a time, you believe that you’re not really a good neurosurgeon, that you are entirely unworthy.”) The result is a frank, revealing view of a doctor’s experience.
An intimate, insightful meditation on the science, art, and business of healing.Pub Date: Jan. 12, 2021
ISBN: 978-1-63576-754-4
Page Count: 208
Publisher: Radius Book Group
Review Posted Online: Dec. 16, 2020
Kirkus Reviews Issue: Feb. 1, 2021
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.
The late heavy metal legend considers his mortality in this posthumous memoir.
“I ain’t ready to go anywhere,” writes Osbourne in the opening pages of his new memoir. “It’s good being alive. I like it. I want to be here with my family.” Given the context—Osbourne died on July 22, 2025, two weeks after the publisher announced the news of this book—it’s undeniably sad. But the rest of the text sees the Black Sabbath singer confronting the health struggles of his last years with dark humor and something approaching grace. The memoir begins in 2018; he wrote an earlier one, I Am Ozzy, in 2010. He tells of a staph infection he suffered that proved to be the start of a long, painful battle with various illnesses—soon after, he contracted a flu, which morphed into pneumonia. A spinal injury caused by a fall followed, causing him to undergo a series of surgeries and leaving him struggling with intense pain. And then there was his diagnosis of Parkinson’s disease, the treatment of which was complicated by his longtime struggle with alcohol and drug addiction. Osbourne peppers the chronicle of his final years with anecdotes from his past, growing up in Birmingham, England, and playing with—and then being fired from—Black Sabbath, and some of his most well-known antics (yes, he does address biting the heads off of a dove and a bat). He writes candidly and regretfully about the time he viciously attacked his wife, Sharon—the book is in many ways a love letter to her and his children. The memoir showcases Osbourne’s wit and charm; it’s rambling and disorganized, but so was he. It functions as both a farewell and a confession, and fans will likely find much to admire in this account. “Death’s been knocking at my door for the last six years, louder and louder,” he writes. “And at some point, I’m gonna have to let him in.”
A charming and often poignant valediction from rock ’n’ roll’s Prince of Darkness.Pub Date: Oct. 7, 2025
ISBN: 9781538775417
Page Count: 368
Publisher: Grand Central Publishing
Review Posted Online: Oct. 7, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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