Another brilliant, gritty, densely textured novel from the author of Neuromancer (paperback, 1984; Hugo, Nebula, P.K. Dick awards) and Count Zero (1986). From elements of the previous novels, Gibson spins three story lines, knitting them together about 15 years after the close of Count Zero. Angle Mitchell, whose scientist father customized her brain to link directly (if unwillingly) to the consensual hallucination of cyberspace, is now the Sense/Net star. Her lover, Bobby Newmark, Count Zero, has recently disappeared. Jacked into a massive biochip, his unconscious, dying body is brought to the Factory, an abandoned industrial site located on toxic landfill in New Jersey. There, Gentry, a seeker obsessed with the shape of cyberspace (which parallels Bobby's search for the truth of When It Changed—the moment when cyberspace became aware of itself, generating independent Als within the matrix), recognizes the biochip as a key to his quest. Molly, the augmented mercenary of Neuromancer, involved in a plot to kidnap Angle, brings her together with Mona, a young junkie and Angle look-alike, and then to the Factory—where. in an uncharacteristically fantastic sequence, Angle joins Bobby in the synthetic reality of cyberspace (and we receive hints of a truly innovative First Contact). As usual with Gibson, the point here is not so much the plot as the future in which it unfolds—and the remarkably accomplished prose with which he reveals it. This one probably won't win over any new fans, but the many extant will be delighted.

Pub Date: Nov. 1, 1988

ISBN: 0553281747

Page Count: 328

Publisher: Bantam

Review Posted Online: March 30, 2012

Kirkus Reviews Issue: Oct. 15, 1988

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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