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THE LONGEST FIGHT

IN THE RING WITH JOE GANS, BOXING'S FIRST AFRICAN AMERICAN CHAMPION

With fascinating period detail and skillful writing, the author highlights his subject’s considerable appeal and symbolic...

A veteran sports journalist rehearses the story of Joe Gans (1874–1910), who in 1906 won a titanic 42-round boxing match, lasting nearly three hours, against a bruising white boxer.

Gildea (Where the Game Matters Most: A Last Championship Season in Indiana High School Basketball, 1997, etc.), who wrote for the Washington Post for 40 years, begins and ends with the flickering footage of the fight now residing in the Library of Congress. The author devotes more than half of the text to an account of the fight with Oscar “Battling” Nelson in Goldfield, Nev., though he continually cuts away to tell about Gans’ background, his several wives, the era’s virulent racism, other fights and fighters, the history of Goldfield and numerous other asides intended both to provide context and increase suspense. Nelson emerges as a particularly crude specimen, so much so that the huge crowd—virtually all white—rooted enthusiastically for Gans and offered no protests when the referee awarded the victory to Gans because of a low blow; Nelson had been head-butting and committing other fouls throughout. (His gutter racism outside the ring was no improvement.) Whites in the East and South promptly terrorized blacks. The final section deals with Gans' post-fight celebrity and wealth and with his intransigent refusal to retire, even while tuberculosis was ravaging his body. The final scenes—the fading Gans trying to get home from Arizona to die—are moving. Writers Rex Beach and Jack London have cameos, as do other notables, and the author wonders if George Bellows might have used Gans as the model for the black fighter in Both Members of This Club.

With fascinating period detail and skillful writing, the author highlights his subject’s considerable appeal and symbolic significance but speaks a bit too gently about his flaws.

Pub Date: June 26, 2012

ISBN: 978-0-374-28097-0

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 20, 2012

Kirkus Reviews Issue: May 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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