by William Giraldi ‧ RELEASE DATE: Aug. 9, 2016
A hearty, bittersweet familial chronicle of masculinity drawing on the underappreciated bond between fathers and sons.
A loving son reflects on life with a brawny father whose premature death permanently transformed him.
AGNI fiction editor and New Republic contributing writer Giraldi (Hold the Dark, 2014, etc.) paints himself as an “earnestly unjockish” adolescent who looked up to his muscular father for direction, advice, and as the ultimate example of raw masculinity. Raised solely by his father in working-class, blue-collar Manville, New Jersey, the author writes earnestly about his closet affinity for classic literature and mounting frustration at his inability to measure up to his father’s macho image. Craving the “sacral creed” of masculinity that seemed to power the town (and his male-dominated family), a spontaneous visit to his uncle Tony’s makeshift workout room drastically altered his perspective, priorities, and physique. He eventually joined the hard-core training circuit culture at the Physical Edge gym, the local “sanctum of the gargantuan.” Bodybuilding became an “obsession that included brutalizing workouts, steroids, competitions, an absolute revamping of the self.” Thankfully, this hardened intensity doesn’t strip Giraldi’s memoir of its personality. His adventures with body shaving, maddening diet regimens, the “fetishizing pleasure” of hoarding steroids, and bodybuilding competitions all provide moments of wry humor and steely determination. His interest in bodybuilding deflated once the gym closed its doors and the author’s father sold the family home to move in with a girlfriend. Giraldi poignantly ponders his father as a man morphing through the decades from a levelheaded, reliable family man to a “harebrained...high-stakes gambler” and a devotee of treacherous motorcycle racing. His father experienced many nonfatal crashes, but one would take his life in 2000 at 47. The details of his tragedy become blurred with accusations and unsettled with inconclusiveness from an anterior-mounted camera inexplicably vanishing from the scene of the accident. Giraldi provides a respectful homage to his father, who died “attempting to be worthy of an ancient code,” but he also pays tribute to the working-class male and the unspoken codes of machismo.
A hearty, bittersweet familial chronicle of masculinity drawing on the underappreciated bond between fathers and sons.Pub Date: Aug. 9, 2016
ISBN: 978-0-87140-666-8
Page Count: 288
Publisher: Liveright/Norton
Review Posted Online: May 7, 2016
Kirkus Reviews Issue: June 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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