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THE HERO'S BODY

A MEMOIR

A hearty, bittersweet familial chronicle of masculinity drawing on the underappreciated bond between fathers and sons.

A loving son reflects on life with a brawny father whose premature death permanently transformed him.

AGNI fiction editor and New Republic contributing writer Giraldi (Hold the Dark, 2014, etc.) paints himself as an “earnestly unjockish” adolescent who looked up to his muscular father for direction, advice, and as the ultimate example of raw masculinity. Raised solely by his father in working-class, blue-collar Manville, New Jersey, the author writes earnestly about his closet affinity for classic literature and mounting frustration at his inability to measure up to his father’s macho image. Craving the “sacral creed” of masculinity that seemed to power the town (and his male-dominated family), a spontaneous visit to his uncle Tony’s makeshift workout room drastically altered his perspective, priorities, and physique. He eventually joined the hard-core training circuit culture at the Physical Edge gym, the local “sanctum of the gargantuan.” Bodybuilding became an “obsession that included brutalizing workouts, steroids, competitions, an absolute revamping of the self.” Thankfully, this hardened intensity doesn’t strip Giraldi’s memoir of its personality. His adventures with body shaving, maddening diet regimens, the “fetishizing pleasure” of hoarding steroids, and bodybuilding competitions all provide moments of wry humor and steely determination. His interest in bodybuilding deflated once the gym closed its doors and the author’s father sold the family home to move in with a girlfriend. Giraldi poignantly ponders his father as a man morphing through the decades from a levelheaded, reliable family man to a “harebrained...high-stakes gambler” and a devotee of treacherous motorcycle racing. His father experienced many nonfatal crashes, but one would take his life in 2000 at 47. The details of his tragedy become blurred with accusations and unsettled with inconclusiveness from an anterior-mounted camera inexplicably vanishing from the scene of the accident. Giraldi provides a respectful homage to his father, who died “attempting to be worthy of an ancient code,” but he also pays tribute to the working-class male and the unspoken codes of machismo.

A hearty, bittersweet familial chronicle of masculinity drawing on the underappreciated bond between fathers and sons.

Pub Date: Aug. 9, 2016

ISBN: 978-0-87140-666-8

Page Count: 288

Publisher: Liveright/Norton

Review Posted Online: May 7, 2016

Kirkus Reviews Issue: June 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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