by William Hazelgrove ‧ RELEASE DATE: Dec. 4, 2018
Aviation history does a loop-the-loop as the author shares new and exciting insight into the history of the Wright brothers.
A look at the true story behind the Wright brothers and their famous flights at Kitty Hawk.
For more than a century, Wilbur and Orville Wright have been touted as equal partners in the invention of the flying machine and of the concept of manned flight. Yet in this intriguing, well-researched treatise, Hazelgrove (Shots Fired in Terminal 2: A Witness to the Fort Lauderdale Airport Shooting Reflects on America’s Mass Shooting Epidemic, 2017, etc.) rejects that notion in favor of a more logical one: Wilbur was the genius behind the theory of putting a man in a machine that could soar like a bird, and Orville followed his brother’s instructions, assisting in the mechanical aspects of building the first airplane. The author also points out that it was just by chance that it was Orville’s turn to test the plane when the first photograph was taken. This coincidence made many assume that the brothers were operating on the same level, but as Hazelgrove demonstrates convincingly, they were far from it. Not only does he discuss the events at Kitty Hawk; the author delves into the Wright family dynamics: of the father who knew Wilbur was the brighter of the two boys; of how they remained at home their whole lives along with their sister, who only married late in life; and of the impact the death of their mother had on the children. Hazelgrove also ponders the sexualities of the three siblings and Wilbur’s grave illness, which may have given him the time in bed necessary to dream of flying. For anyone curious about the details behind the invention of the flying machine, this engaging book will inform and entertain as it turns an assumed piece of aviation history upside down.
Aviation history does a loop-the-loop as the author shares new and exciting insight into the history of the Wright brothers.Pub Date: Dec. 4, 2018
ISBN: 978-1-63388-458-8
Page Count: 288
Publisher: Prometheus Books
Review Posted Online: Sept. 24, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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by Edmund Morris edited by David Ebershoff ‧ RELEASE DATE: March 30, 1979
Everything that, in time, made TR an irresistible force the curiosity and concentration, the energy, the ardor, the dramatic flair vitalizes this hugely detailed, over-long (700 pp), and rather florid account of his life up to the presidency. But Morris is also locked into his concept of Roosevelt's "rise," persistently seeing in the sickly, bookish, solitary boy and the lovelorn Harvard dandy the future leader of men. It's the colorful, charismatic personality we have here, then, largely minus the drifting, the despondency and self-doubt that afflicted him even after he "rose like a rocket" (in his own words) to leadership of the New York State Assembly at the precocious age of 23. But those who were there to see it or, later, to witness his exuberant embrace of the still-wild West, his crusade as New York City Police Commissioner to stamp out Sunday liquor sales, have provided Morris with great copy: the toothy grin lighting up a sodbuster's hut; the cheerful, chest-thumping retort to a German protest-marcher's "Wo is der Roosevelt?" "Hier bin ich!" Never mind that, in the latter instance, Morris keeps equally close tabs on his running feud with a fellow-commissioner; the detail pays off when Roosevelt, escaping to the wider fields of Washington, puts the Navy in position to strike at Spain in "three or four hours" as Acting Secretary to the consternation of his boss, innocently off seeing an osteopath. Nothing here is really new not the jingoism, the personal rush to arms that soon had Roosevelt second-in-command (and, of course, foremost) of the Rough Riders, the compromise with Boss Platt that enabled him to function as New York's Governor, the ambivalence about the Vice-Presidential nomination. And wherever Morris' interpretation differs from that of Henry Pringle, still Roosevelt's best biographer, his penchant for histrionics warps his judgment: "With fulfillment [atop San Juan Heights] came purgation. Bellicose poisons had been breeding in him since infancy. . . . But at last he had had his bloodletting. . . Theodore Roosevelt was at last, incongruously, a man of peace." The real lesson, willy-nilly, is in seeing the fun he had being a great, boyish nuisance.
Pub Date: March 30, 1979
ISBN: 0375756787
Page Count: 964
Publisher: Coward-McCann
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1979
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by Tina Fey ‧ RELEASE DATE: April 5, 2011
Highly recommended, even for those who have already read the excerpts in the New Yorker. Fey is one of the funniest people...
One of the world’s cleverest comedy writers debuts with a frequently hilarious memoir.
Perhaps best known to mass audiences for her writing and performances on Saturday Night Live, Fey’s most inventive work is likely her writing for the critically acclaimed TV show 30 Rock, in which she stars alongside Alec Baldwin and fellow SNL alum Tracy Morgan. In typical self-deprecating style, the author traces her awkward childhood and adolescence, rise within the improv ranks of Second City and career on the sets of SNL and 30 Rock. The chapter titles—e.g., “The Windy City, Full of Meat,” “Peeing in Jars with Boys” and “There’s a Drunk Midget in My House”—provide hints at the author’s tone, but Fey is such a fluid writer, with her impeccable sense of comic timing extending to the printed page, that near-constant jokes and frequent sidebars won’t keep readers from breezing through the book with little trouble, laughing most of the way. Though she rarely breaks the onslaught of jokes (most at her own expense), she does offer an insightful section on the exhaustively analyzed concept of the “working mom,” which she finds tedious. (Even here, the author finds plenty of room for humor—not wanting to admit she uses a nanny, Fey writes, “I will henceforth refer to our nanny as our Coordinator of Toddlery.”) Fey may not sling a lot of dirt about her many famous co-stars in Second City, SNL and 30 Rock, but her thoughts on her geeky adolescence, the joys of motherhood and her rise to TV stardom are spot-on and nearly always elicit a hearty laugh. Even the jacket copy is amusing: “Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her.”
Highly recommended, even for those who have already read the excerpts in the New Yorker. Fey is one of the funniest people working today.Pub Date: April 5, 2011
ISBN: 978-0-316-05686-1
Page Count: 288
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: July 23, 2011
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