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REAL SANTA

A lovingly crafted comedy about the madness that fatherhood inspires.

In a fit of inspired insanity, a laid-off suburban father decides to prove to his 9-year-old daughter that there really is a Santa Claus.

Never doubt the determination of a mad scientist and his plans. In this sixth novel from prolific writer and blogger Hazelgrove (The Pitcher, 2013, etc.), the author marries the everyday dramas found in the novels of Tom Perrotta and Nick Hornby to the high camp of Carl Hiaasen or Dave Barry. His protagonist is an aging engineer named George Krononfeldt who is promptly laid off from his firm for his increasingly cranky attitude. Simultaneously, his daughter Megan is slowly being poisoned of her belief in Christmas-y myths by her hateful teacher, Mrs. Worthington. “I will kick Santa squarely in the nuts once and for all,” she proclaims during one of her darker moments. Undetermined, George starts sketching out plans to give his daughter—who has inherited her father’s penchant for requiring empirical data to prove a coherent thesis—one more Christmas miracle. “I’m going to be the Real Santa,” George tells his father, whom he enlists in aid of the outlandish project. “I’m going to land a sled on the roof, go up the chimney, go down it, deliver the gifts, and then I’m going to get back in the sled and take off into the sky.” After spending more than $80,000 building a contraption that would rival a NASA launch and engaging the help of his estranged older son and daughter and a slightly mad Santa impersonator named “Kris Kringgle,” George does indeed take to the skies. It’s not as frenetic as Christopher Moore’s The Stupidest Angel or as maudlin as all those holiday staples (read: A Christmas Story); adults looking for a funny holiday-themed tale that doesn’t lose its sense of wonder in the face of realism will find a treat here.

A lovingly crafted comedy about the madness that fatherhood inspires.

Pub Date: Oct. 1, 2014

ISBN: 978-1-940192-96-3

Page Count: 244

Publisher: Koehler Books

Review Posted Online: Sept. 27, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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