Next book

PROOF OF INTENT

“Real life ain’t an Agatha Christie novel,” Miles sagely tells Charley after the final bell. And this case, which saves all...

Legal eagle Coughlin (The Judgment, 1997, etc.) has been dead nearly ten years, but his best-loved creation, alcoholic defense attorney Charley Sloan, lives on courtesy of Sorrells (Power of Attorney, not reviewed, etc.) in this undernourished courtroom drama.

You have to wonder about a client who phones you past three in the morning, ahead of the police, to say that he’s just found his wife dead in their bedroom, and Charley does wonder about hard-boiled novelist Miles Dane, a former bestseller who’d returned from New York to buy into the most exclusive neighborhood in his Michigan hometown of Pickeral Point before his flagging sales had made him ever more pressed for cash—until the slaying of his wife Diana, whom he has thousands of motives to murder. Charley’s suspicions don’t abate when Miles starts his first chat with Detective Chantall Denkenberg by revising the story he told Charley. And when another of Charley’s clients, the even more raffish landscaping thief Leon James Prouty, spins a tale of a suspicious car outside the Dane domain on the murder night and Miles reacts by shutting down, both Charley and his daughter Lisa—another alcoholic who’s fled her last year at Columbia Law to help out the father she barely knows—figure they’ve got their work cut out for them. The crucial break comes when they realize Miles is covering up for somebody, but since it’s a somebody he won’t identify and they can’t subpoena, they’re forced to go to trial with nothing but reasonable doubt, as a hostile judge lands punch after punch to Charley’s head in preparation for the inevitable 15th-round knockout.

“Real life ain’t an Agatha Christie novel,” Miles sagely tells Charley after the final bell. And this case, which saves all its surprises and reversals for the very last minute, is more like a well-known Christie short story, first published in, say, 1949.

Pub Date: Nov. 11, 2002

ISBN: 0-312-28066-1

Page Count: 336

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2002

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:
Close Quickview