Even though we know the answers to most of the questions—Will our heroine win the coveted role of Fanny Brice in Funny Girl?...

HELLO, GORGEOUS

BECOMING BARBRA STREISAND

Hollywood chronicler Mann (How to Be a Movie Star: Elizabeth Taylor in Hollywood, 2010, etc.) divulges the blood, sweat and tears that propelled a diva’s rise to stardom.

Barbra Streisand is such a cultural institution that it sometimes seems as if she sprang fully grown from the head of the entertainment industry. Not so, argues the author in this surprisingly suspenseful and masterfully paced biography. Covering the fundamental years from 1960 to 1964, he shines the spotlight on an awkward yet ambitious teenage girl who aspired to play grand theatrical roles. To Streisand, singing came so easily that she didn’t regard it as work, and she practically had to be pushed into appearing at Greenwich Village nightclubs. When a friend suggested that she approach singing a song as if acting a part in a play, however, she made a creative breakthrough that led to appearances on TV talk shows, a Broadway role in I Can Get It for You Wholesale and a recording contract at Columbia Records. Streisand didn’t accomplish this alone, and Mann appropriately gives credit to the agents, accompanists, directors and mentors who brought her idiosyncratic style to a generation hungry for new idols. He also delves into her paradoxical mixture of self-confidence and -doubt, disclosing that she privately felt insecure about her looks despite publicly flaunting an outlandish flair for fashion and a loopy sense of humor. Mann structures the book by seasons, further dividing these into a series of vignettes that read like scenes from a novel peopled with extraordinary characters.

Even though we know the answers to most of the questions—Will our heroine win the coveted role of Fanny Brice in Funny Girl? Will she live happily ever after with her Prince Charming, Elliott Gould?—this book makes getting to them a treat.

Pub Date: Oct. 9, 2012

ISBN: 978-0-547-36892-4

Page Count: 592

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 13, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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