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WHERE THE BOYS ARE

Mann’s party boys make a sexy first impression but prove surprisingly deep upon further inspection. The same goes for Where...

Against a background of sweaty bodies, fierce divas, and the drug-induced lust of gay circuit parties, former lovers struggle to reconnect.

Picking up where The Men From the Boys (1997) left off, Mann brings thirtysomethings Jeff O’Brien and Lloyd Griffith back together years after their relationship fell apart and their best friend and mentor Javitz died of AIDS. Jeff and Lloyd have traveled divergent paths in the meantime. Jeff, living in Boston, has become obsessed with working out, casual sex, drug use, and circuit parties where he can meet thousands of beautiful, shirtless gym bunnies on the dance floor. Lloyd, living in Provincetown, has found his spiritual side, remained celibate, and eschewed the narcissistic adventures his ex-lover has embraced. Despite these differences, when the two come together, old flames are rekindled and the men start to rebuild what they’ve lost. Complicating matters, though, is a web of secondary characters who keep interfering. Jeff has a circle of friends—including nebbish-turned-stud Henry, who looks up to Jeff the way Jeff once looked up to Javitz—who don’t want to see him settle down in domestic bliss. And Lloyd has an unbalanced business partner who’s jealous of Jeff’s intimate bond. Mann weaves this emotional tale deftly, shifting narrators from Jeff to Lloyd to Henry and giving insight into each one’s motivations. Two mysterious characters—Lloyd’s partner Eva and Jeff’s latest infatuation, Anthony—add interest by having secrets that are only gradually revealed. A breezily conversational tone makes for an easy read even as Mann grapples with complex questions facing many gays today: What does family mean? Why is trust so simple among strangers and so difficult between lovers? How can the patterns be broken that paralyze emotional growth?

Mann’s party boys make a sexy first impression but prove surprisingly deep upon further inspection. The same goes for Where the Boys Are.

Pub Date: May 6, 2003

ISBN: 0-7582-0326-8

Page Count: 432

Publisher: Kensington

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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