PLB 0-06-027164-7 Joyce (The Leaf Men and the Brave Good Bugs, 1996, etc.) plays with circles, curls, and curves the way a writer plays with language, creating a visually dazzling story about the everyday capers of a family of round Rolie Polies. Rolie Polie Olie is a toy of a boy, an electro-comic character from a futuristic, alien planet “way up high in the Rolie Polie sky.” In the morning he rolls out of bed, brushes his teeth, and recharges his head. At breakfast he dances the Rolie Polie Rumba dance in underpants, then rides aboard the hip-hop mop to wash his teapot house from tip to top. With a rhyme that would be strained in less sure hands, Joyce takes Olie through a hip-hip-hooray day of play and into bedtime, landing Olie in “a bunch of trouble” until he is “Rolie Polie sad” and misses the nightly kiss on his Rolie Polie head. Computer-generated, digitized backgrounds lend an SF atmosphere to every scene, while the flamboyant colors work in concert to create—appropriately, given the character’s origins—an effect of suspended animation. An eccentric blend of the cinematic and familial that is coming to be known as vintage Joyce. (Picture book. 2-7)
Pub Date: Oct. 31, 1999
ISBN: 0-06-027163-9
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
Picture-book debuts for both author and illustrator result in an affectionate glimpse of intergenerational bonds. Juno loves to get letters in the red-and-blue bordered airmail envelopes that come from his grandmother, who lives in Korea, near Seoul. He cannot read Korean, but he opens the letter anyway, and learns what he can from what his grandmother has sent: a photograph of herself and her new cat, and a dried flower from her garden. When his parents read him the letter, he realizes how much he learned from the other things his grandmother mailed to him. He creates some drawings of himself, his parents, house, and dog, and sends them along with a big leaf from his swinging tree. He gets back a package that includes drawing pencils and a small airplane—the grandmother is coming to visit. The messages that can be conveyed without words, language differences between generations, and family ties across great distances are gently and affectingly handled in this first picture book. The illustrations, done in oil-paint glazes, are beautifully lit; the characters, particularly Grandmother, with her bowl of persimmons, her leafy garden, and her grey bun that looks “like a powdered doughnut,” are charming. (Picture book. 3-7)
Pub Date: Oct. 1, 1999
ISBN: 0-670-88252-6
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
BOOK REVIEW
BOOK REVIEW
PLB 0-517-70967-8 Me And My Family Tree (32 pp.; $13.00; PLB $14.99; May; 0-517-70966-X; PLB 0-517-70967-8): For children who are naturally curious about the people who care for them (most make inquiries into family relationships at an early age), Sweeney explains, with the assistance of a young narrator, the concept of a family tree. Photographs become understandable once the young girl learns the relationships among family members; she wonders what her own family tree will look like when she marries and has children. A larger message comes at the end of this story: not only does she have a family tree, but so does everyone in the world. Cable’s drawings clearly define the process of creating a family tree; she provides a blank tree so children can start on their own geneaology.(Picture book. 5-7)
Pub Date: May 1, 1999
ISBN: 0-517-70966-X
Page Count: 32
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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