PLB 0-06-027164-7 Joyce (The Leaf Men and the Brave Good Bugs, 1996, etc.) plays with circles, curls, and curves the way a writer plays with language, creating a visually dazzling story about the everyday capers of a family of round Rolie Polies. Rolie Polie Olie is a toy of a boy, an electro-comic character from a futuristic, alien planet “way up high in the Rolie Polie sky.” In the morning he rolls out of bed, brushes his teeth, and recharges his head. At breakfast he dances the Rolie Polie Rumba dance in underpants, then rides aboard the hip-hop mop to wash his teapot house from tip to top. With a rhyme that would be strained in less sure hands, Joyce takes Olie through a hip-hip-hooray day of play and into bedtime, landing Olie in “a bunch of trouble” until he is “Rolie Polie sad” and misses the nightly kiss on his Rolie Polie head. Computer-generated, digitized backgrounds lend an SF atmosphere to every scene, while the flamboyant colors work in concert to create—appropriately, given the character’s origins—an effect of suspended animation. An eccentric blend of the cinematic and familial that is coming to be known as vintage Joyce. (Picture book. 2-7)
Pub Date: Oct. 31, 1999
ISBN: 0-06-027163-9
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Oct. 15, 1999
Categories: CHILDREN'S FAMILY
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One of a four-book series designed to help the very young prepare for new siblings, this title presents a toddler-and-mother pair (the latter heavily pregnant) as they read about new babies, sort hand-me-downs, buy new toys, visit the obstetrician and the sonographer, speculate and wait. Throughout, the child asks questions and makes exclamations with complete enthusiasm: “How big is the baby? What does it eat? I felt it move! Is it a boy or girl?” Fuller’s jolly pictures present a biracial family that thoroughly enjoys every moment together. It’s a bit oversimplified, but no one can complain about the positive message it conveys, appropriately, to its baby and toddler audience. The other titles in the New Baby series are My New Baby (ISBN: 978-1-84643-276-7), Look at Me! (ISBN: 978-1-84643-278-1) and You and Me (ISBN: 978-1-84643-277-4). (Board book. 18 mos.-3)
Pub Date: Jan. 1, 2010
ISBN: 978-1-84643-275-0
Page Count: 12
Publisher: Child's Play
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
Categories: CHILDREN'S FAMILY
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BOOK REVIEW
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: today
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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Anticipating the visit of a favorite person is half the fun. Planning all the things he likes to do, the narrator of this celebration of childhood, includes telling knock-knock jokes, visiting a construction site, picking up lucky pennies, drinking hot chocolate, cooking, eating and cleaning up together, and just having a good time. What the narrator doesn’t like is putting on scratchy dress-up clothes, eating “funny-looking food,” or watching movies that are too “kissy.” Shields (Martian Rock, 1999, etc.) tells the story from the narrator’s point of view and then delivers a punchy surprise ending for this absolutely charming tale of grandfather and grandson. Nakata’s gentle watercolors for her first picture-book illustrations are alive with color, movement, and humor. They support and extend the text with funny little bits that provoke a grin and a chuckle. The love this grandfather and grandchild have for each other fills every page. A good read-aloud selection for the younger crowd and a nice addition to grandparents’ collections of books to share. (Picture book. 3-7)
Pub Date: Aug. 1, 2000
ISBN: 0-525-46450-6
Page Count: 32
Publisher: Dutton
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 1, 2000
Categories: CHILDREN'S FAMILY
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