``Leave the dead. Let's salvage the tie left to us,'' the protagonist of Kennedy's latest pleads with his distant, despairing wife. The struggle to escape the past is at the heart of this subtle, wise, original work. This latest installment in Kennedy's ambitious Albany Cycle returns to, and deepens, many of the themes central to the series: the wayward nature of the human heart, the manner in which grief, regret, and enduring need shape and often remake family life, the way in which art, at its best, can clarify and transform life's losses and pain. The sixth in the cycle (previous volumes include Legs, 1975; Ironweed, 1983, which won the Pulitzer Prize; and, most recently, Very Old Bones, 1992) spans the period from the 1880s to 1912. At its center is yet another vibrant, tragic couple: Edward Daugherty, a brilliant playwright, and his equally headstrong, melancholy wife, Katrina. Surrounding them is a cast of other distinct and startling figures: Francis Phelan, Katrina's lover and a hero of Albany's working-class Irish community; the talented, self-destructive journalist Thomas Maginn; and Melissa Spencer, a gifted, conscienceless actress who becomes Daugherty's lover and sets in motion a murder/suicide that comes close to destroying Daugherty. The long, unremitting effort of Albany's Irish population to seize power from the governing elite is never far from the action: Daugherty, given a start in life by a wealthy benefactor, uses his plays to celebrate the resiliency of the Irish and lampoon the Dutch and English who rule the town. That theme, however, never predominates—the long struggle of Edward and Katrina to cope with a series of deaths and betrayals gives the novel its shape and narrative drive. Filled with precise details of Albany's vanished life, narrated in a prose both salty and exact, catching the vigorous cadence of spoken English, this is the most impressive entry in the Albany Cycle since Ironweed. (First printing of 100,000; $75,000 ad/promo)
Pub Date: May 1, 1996
ISBN: 0-670-85872-2
Page Count: 205
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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