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THIS DEATH BY DROWNING

An elegant, moving little book from the current state poet of Nebraska that reflects the author's fascination and intense personal involvement with waters big and small, from farm ponds to the South Pacific. Kloefkorn (English/Nebraska Wesleyan Univ.) cites Loren Eisley's dictum, ``If there is magic on this planet, it is contained in water.'' The author finds magic in other liquids, too, ``chief among them cow's milk,'' but it is water—and the dangers it can pose—that is Kloefkorn's touchstone, both literary and actual. At the age of six, he fell into Harold Simpson's cow- pasture pond in south-central Kansas and nearly drowned. A few years later his brother, trying to sit behind the wheel of a car submerged in Ely's Sandpit, duplicated the near-fatal mishap. The author writes of his youthful wonder at the family's cistern; of watching his grandmother at a washtub in the backyard, ``washing her long white hair in rainwater''; of his and a paraplegic friend's baptism in Shannon's Creek, performed by a preacher whose sermons were, like ``Kansas waterways, neither deep nor wide.'' Kloefkorn notes another baptism that went awry, with the victim drowning, and wonders if it ``had been sufficiently and well-enough performed for it to have taken hold and thus last.'' Some of the waters he treads are larger, or of different form: He recalls learning of the hundreds drowned in the ``bespoiled water'' of Pearl Harbor; FDR taking the waters at Warm Springs, Ga.; Truman's calling the Hiroshima bomb ``a black rain of ruin''; the time he and a friend dropped an M-80 firecracker in the women's toilet at the Baptist church, bringing on a prodigious flood. He writes, also, of favorite rivers, especially Nebraska's Loup, a stream he has floated down every summer for 30 years. Water drenches these pages, written about in a style that both immerses and quenches.

Pub Date: Sept. 1, 1997

ISBN: 0-8032-2736-1

Page Count: 144

Publisher: Univ. of Nebraska

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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