by William Martin ‧ RELEASE DATE: Oct. 29, 2003
Rollicking historical that’s certain to get the top shelf at the Harvard Co-Op.
The sequel to Back Bay (1979) gives the Michener treatment to our richest university as antiquities dealer and Harvard alumnus Peter Fallon hunts for a copy of a lost Shakespeare play.
Martin (Citizen Washington, 1999, etc.) uses the fortunes and foibles of the Wedge family, whose offspring have attended Harvard from its beginning, to show that, despite numerous curriculum changes, more than a few ignoble alumni, and some embarrassing controversies, Harvard really has fostered American self-determination and generosity of spirit. The generosity takes the form of paying for some, if not all, of the education of any student Harvard wants to admit, and, in the case of the fictional Wedge family, protecting the only surviving copy of Love’s Labors Won,” which Shakespeare himself gave to his friend, Stratford butcher, innkeeper, and book collector Robert Harvard, as a “talisman of good fortune.” John takes the play, with his collection of books, to New England, where his library and his financial bequest begin the university that bears his name. Stolen from the library by the college’s sadistic and corrupt first master, the play is retrieved by plucky Isaac Wedge, an impoverished student who hides it because of the 17th-century Puritan animosity to theater. The play is never far from later generations of the Wedge family, which has at least one child always attending Harvard through its history. Martin intercuts the historical scenes (we meet everyone from a stuttering Cotton Mather to a blustering Joseph Kennedy) with standard thriller high-jinks involving Fallon, who uses his alumni connections both for business and pleasure. Fallon is attempting to ensure his son’s acceptance to the college when a descendant of Isaac Wedge hints of a very valuable book once in his family’s possession. Fallon hooks up with his conveniently divorced old flame, finds himself pursued by organized crime thugs—and the chase is on.
Rollicking historical that’s certain to get the top shelf at the Harvard Co-Op.Pub Date: Oct. 29, 2003
ISBN: 0-446-53084-0
Page Count: 582
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw
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by Roy Jacobsen translated by Don Bartlett & Don Shaw
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by Roy Jacobsen & translated by Don Bartlett & Don Shaw
by Amor Towles ‧ RELEASE DATE: Sept. 6, 2016
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
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Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
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edited by Amor Towles ; series editor: Otto Penzler
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