by William Marvel ‧ RELEASE DATE: May 10, 2006
Sure to touch off discussion, if not controversy, in professional circles; readers with a penchant for iconoclasm will want...
The Railsplitter as tyrant, warmonger and Machiavellian strategist.
Did Lincoln cause the Civil War? Historian Marvel (The Monitor Chronicles, 2000, etc.) says yes, but then adds a qualification or two. Certainly, he writes, Lincoln could have taken the advice of Cabinet members, newspaper editors and plenty of Northern voters by allowing the South to secede, in which case, Marvel ventures, slavery would have at least been a localized problem, likely to disappear in time. Lincoln, however, “eschewed diplomacy” and replied to the capture of Fort Sumter—which, Lincoln’s secret agents had already told him, was inevitably to fall to the South—by raising an army and threatening invasion. He had already hinted at such intentions in his inaugural speech, knowing that trouble was on the way; indeed, as Marvel writes, Sumter, which supposedly touched off the war, was but the latest of many federal installations that the secessionists had taken, to which then-President James Buchanan had responded by not doing anything. Any attempt to enforce federal law in the South, Lincoln’s advisors told him, “would precipitate war.” By Marvel’s account, Lincoln welcomed the prospect, for the Union needed a renewed forging of bonds and federal authority needed to be extended over states’ rights—an argument still played out in the Capitol today. In any event, Marvel argues, Lincoln willingly violated the Constitution to preserve the Union by, for one thing, suspending the writ of habeas corpus, and he came very close to establishing a dictatorship (of the Roman, not Nazi, variety). “Lincoln gradually arrogated so much authority to his office that his own dominant party dared not pass that power on to a member of the opposition,” Marvel notes, so that Republicans raced to strip away presidential powers when Democrat Andrew Johnson took office after Lincoln’s assassination.
Sure to touch off discussion, if not controversy, in professional circles; readers with a penchant for iconoclasm will want to have a look, too.Pub Date: May 10, 2006
ISBN: 0-618-58349-1
Page Count: 432
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
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edited by William Marvel
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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