I KILLED HEMINGWAY

Rolling-stone ghostwriter Elliot McGuire gets shanghaied into the ultimate revisionist Hemingway bio—a tell-all confession by the man who insists he pulled the trigger on Papa in revenge for a lifetime of theft and betrayal: more celebrity-ridden shenanigans from the author of Stark Raving Elvis (1984). Hot to build up the cash and contacts he'll need to publish his pioneering astral self-help book, LifeForms, Elliot lets himself get talked into acting as contact for publisher Warren & Dudge in their book project about piss-and-vinegar Eric ``Pappy'' Markham—then finds, on his first trip to Pappy's lair on Key West, that he'll in fact have to write the whole manuscript himself in an under-the-table deal. At first Pappy's manic enthusiasm is contagious, and Elliot, a self-destructive refugee from a successful Oedipal consummation and the academic Hemingway industry, takes a spitefully awed pleasure in Pappy's tales of the boxing match the day he met Hemingway, the deflowering of Ezra Pound, and the real fate of Hadley's lost valise. But as the revelations get wilder and wilder—Hemingway was a plagiarist and poseur who stole Pappy's formative early work and his literary persona; Hemingway was a vampire, a mass murderer, a cannibal—Elliot finds himself running away from his own project. Meanwhile, the project is running away from him in a cloud of Tom Wolfe knaves and zanies (backstabbing editor Craig Vandermeer, sycophantic scholar Howie Ritz, et al.). Pappy's memoir I Killed Hemingway scores big on the bestseller lists (``A literary bombshell!'' raves Kirkus); Pappy welshes on his $75,000 deal with Elliot; and Elliot, furiously determined to get revenge and repair the damage he's inflicted on Hemingway's reputation, goes head to head together with DeForrest against Pappy on Yugo McDonough's racy daytime talk-show, with predictably rueful results. A bouncy farce whose momentum overcomes its mordant overtones.

Pub Date: March 1, 1993

ISBN: 0-312-08816-7

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1993

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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