by William McKeen ‧ RELEASE DATE: Oct. 4, 2011
A cultural history of Key West as experienced by some of its most famous residents.
McKeen (Journalism/Boston Univ.; Outlaw Journalist: The Life and Times of Hunter S. Thompson, 2008, etc.) transports readers to Key West, a wonderland of cigar rollers and beautiful women that for generations has maintained a reputation for lawlessness as well. It is also described as "the end of the road, the last outpost for an American original.” Among these Americans originals are a wide array of writers: Ernest Hemingway, Tennessee Williams, Jim Harrison, Thomas McGuane and Hunter S. Thompson, as well as musician Jimmy Buffett, whose music set the tone for the town. What begins as a biography of a place soon branches off into mini-biographies of its residents. McKeen holds his gaze longest on McGuane, described as "the most revered writer of his generation.” Yet soon after his arrival, even McGuane became afflicted with the vices of the island, engaging in the excesses of boozing and womanizing that became a trademark for many of the island's better-known inhabitants. "Lust was a legacy of island life,” writes McKeen, a statement McGuane seemed to set out to prove. Equally engaging is the story of Buffett's miraculous rise from "scruffy street singer" to beloved entertainer. Much of his stardom was attributed to his hit single, "Margaritaville," which “bottled up the essence of Key West in an effervescent, maddeningly memorable pop song.” By the end of the book, McKeen also offers his own take on capturing the essence of the place: “Key West is still Key West"—a statement that, while cryptic, seems to somehow say it all. An engrossing tell-all in which Key West's most notable residents struggle to find sanity, sobriety and a place to call home.
Pub Date: Oct. 4, 2011
ISBN: 978-0-307-59200-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 26, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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