A well-written, highly informative book for devotees of the modern art world.
A massive dual biography of Dominique and John de Menil, who did not strive for the limelight but still helped to lead the modern art movement in the United States.
Veteran journalist and editor Middleton spares no details in this history of the French couple who made Houston their home and converted it to a center of the arts. John (1904-1973) and Dominique (1908-1997) collected modern artists such as Magritte and Picasso as well as art from Africa and South America, Byzantine art, and antiquities. The art in their Houston museum is presented simply and with little historical explanation, allowing visitors to become a great part of the experience. Throughout their collecting careers, the de Menils were not afraid to spend their money; in fact, they felt a moral imperative to give back of their fortune. A significant figure in the couple’s maturation was Father Marie-Alaine Couturier, a Dominican priest committed to modern art who was largely responsible for educating the de Menils on the joy of art. In addition to collecting, they built, favoring architect Philip Johnson for their house in Houston, which became a frequent stop for art lovers. Also in Houston is the Rothko Chapel, which contains 14 murals commissioned by the de Menils and Barnett Newman’s Broken Obelisk out front. They were also leaders in African-American shows, including the 1971 De Luxe Show in an old theater. Dominique also headed the exhibitions at the Institute for the Arts at Rice University. Dominique’s style may have been simplicity itself, but she detested small talk and was imperious, authoritarian, and demanding—though also inarguably articulate and deeply committed to her work. John, too, dedicated himself to his work and was often separated from family. As Middleton amply shows, they were devoted to each other and to art, an exclusive partnership. For lovers of modern art, this book will be a treat, while general readers may find themselves skimming some of the 800 pages.
A well-written, highly informative book for devotees of the modern art world.Pub Date: March 27, 2018
ISBN: 978-0-375-41543-2
Page Count: 800
Publisher: Knopf
Review Posted Online: Dec. 11, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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