Nicholson’s (Motherland, 2013, etc.) parallel love stories hold classic appeal, while the historic aspects of the tale...
Two love affairs, more than a century apart, are influenced by Emily Dickinson in novelist and screenwriter Nicholson’s latest novel.
Alice Dickinson (no relation to the poet) is a young British woman who has appeared in some of Nicholson's earlier novels; she's now an advertising copywriter hoping to write a screenplay based on the scandalous romantic entanglement of Austin Dickinson, Emily’s staid brother, and Mabel Loomis Todd, an alluring, much younger woman. It's not clear how much of a role Emily played in aiding and abetting the romance, but Mabel eventually became the champion of the mysterious poet’s work after her death. Alice travels to Dickinson's hometown of Amherst, Massachusetts, to do research; while she's there, she meets Nick Crocker, a local literature professor, to whom she's been referred by her ex-boyfriend Jack. Matters are muddled by the fact that Nick was an early boyfriend of Jack’s mother and has a reputation as a Casanova. Alice’s attempts to understand Austin’s and Mabel’s motivations become intertwined with her own efforts at deciphering her complicated feelings for Nick; she must unravel not only the mores of the Amherst community a century earlier, but also the etiquette of a contemporary love affair between partners with differing views of life. Relying heavily on extensive research into the Dickinson-Todd affair, Nicholson peppers the novel with summary explanations of events in order to propel the plot forward (a convention similar to calendar pages flying off the screen in the movies). Extensive dialogue between Alice and Nick about life, love, death and desire will provide readers, particularly those in reading groups, with grist for discussion.
Nicholson’s (Motherland, 2013, etc.) parallel love stories hold classic appeal, while the historic aspects of the tale provide interest for those seeking “the real story” of one of America’s most revered poets.Pub Date: Feb. 10, 2015
ISBN: 978-1-4767-4040-9
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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