The rest of the story is well-told, though we’ve seen most of it before: Just add gin to your favorite wartime romance and...
A wartime love story in the tradition of Atonement—and perhaps The Winds of War, and perhaps Gone with the Wind....
The opening pages of screenwriter (Gladiator, Shadowlands) and novelist (I Could Love You, 2011, etc.) Nicholson’s modestly pitched saga frame the problem beautifully: A granddaughter does not know her grandmother, just as her mother does not know her own grandmother—and the members of the Greatest Generation, whose story this is, scarcely know themselves. In the early years of World War II, Kitty Teale, who simply adores driving, rushes off to volunteer for service as an ambulance driver. She is class conscious, but less so than her hoity-toity pal Louisa, who grumbles assonantly, “I don’t mind being bossed about by lesbians in trilbies...so long as they’re my own class.” Class enters into things when those wary winds buffet Kitty into the arms of Royal Marine commando Ed—though, to complicate matters, fellow warrior Larry, no slouch himself, emerges as a good candidate for a spirited snogging. What’s a girl to do? Well, when Ed returns from the front a much decorated hero, the decision seems fixed—save that, in postwar India (one wants to pronounce it In-juh, of course), and in a milieu where Ed is hell-bent on drinking his memories of battle away, Larry’s still ripe to enact his realization that “time is so short, death comes so soon....We must love each other.” Or, to echo Auden, die—and there’s some of that, too. The best moments of this well-written if predictable story come when Ed and Larry are interacting: Their relationship is fraught, intimate, wary (“Time to beat a retreat,” says Ed, meaningfully. “Back to the boats and sail away.”) and affecting.
The rest of the story is well-told, though we’ve seen most of it before: Just add gin to your favorite wartime romance and stir.Pub Date: April 9, 2013
ISBN: 978-1-4516-8713-2
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Jan. 16, 2013
Kirkus Reviews Issue: Feb. 1, 2013
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
SEEN & HEARD
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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