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CARL SAGAN

A LIFE IN THE COSMOS

Carl Sagan was without question the most famous scientist since Einstein. This biography tries to show why. Born to a Brooklyn Jewish family in 1934, Sagan showed an early interest in stars, dinosaurs, and large numbers: typical for a bright youngster. Later, he began to read science fiction, did experiments with a chemistry set, and dreamed of a career in astronomy. After persuading his parents he could make a living looking at stars, Sagan attended the University of Chicago. There he laid the foundations for the work for which he would become best known, acquiring influential mentors and writing a doctoral thesis with the unstated theme of life on other planets. Within a few years, he was among the leading experts on the subject, participating in the Green Bank conference where the modern SETI (Search for Extraterrestrial Intelligence) movement was born, and taking a position at Harvard. His 1966 translation/rewriting of a book by I. S. Shklovskii, Intelligent Life in the Universe, established him as a first-rate popularizer of science. That status didn—t win him friends in academia; in 1968 he was denied tenure at Harvard and moved to Cornell, where he became one of the stars of the faculty. From Ithaca, N.Y., he sallied forth to the Jet Propulsion Laboratory in Pasadena, to SETI conferences, and to Hollywood, to film Cosmos, the TV series that made him a household name. He was a fixture with NASA, contributing ideas to several major space missions—including the placing of a recording on the Pioneer spacecraft featuring samples of Earth’s music. He was also a key figure in the “nuclear winter” controversy, arguing that the long-term effects of nuclear war could exterminate humanity. His incredibly active career left behind 25 books and approximately 300 scientific papers. Poundstone (Prisoner’s Dilemma, 1992, etc.) doesn—t whitewash Sagan’s personal flaws but leaves the reader with added appreciation of just how rich his legacy was—and what a loss his early death was to us. A readable and comprehensive life of a fascinating subject.

Pub Date: Oct. 21, 1999

ISBN: 0-8050-5766-8

Page Count: 560

Publisher: Henry Holt

Review Posted Online: April 16, 2011

Kirkus Reviews Issue: Sept. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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