Next book

WINSLOW HOMER

AMERICAN PASSAGE

Gracefully written, empathetic, and authoritative.

A rich biography of the towering artist who captured the realities of 19th-century America.

Drawing on abundant scholarship and archival sources, Cross chronicles in vibrant detail the career, travels, friendships, and prolific output of Winslow Homer (1836-1910). With no diaries and few letters available to document much of his subject’s life, Cross speculates about what the artist “may have” or “appears to have” done or felt. But the author is so deeply cognizant of 19th-century art, history, and material culture that his inferences are thoroughly persuasive. Growing up in Boston, Homer was encouraged by his mother, an artist herself. As a young man, Homer worked for a prominent Boston lithographer, soon contributing wood engravings to illustrated magazines, notably Harper’s Weekly, which became his principal client. During the Civil War, he made several stays at the front, sketching scenes of camp life for Harper’s. The successful illustrator, though, aspired to be recognized as a painter. Moving from Boston to New York in 1859, Homer began to submit his work to group exhibitions. In 1866, he sailed for Europe, where he visited museums and galleries—Cross recounts the works he would have seen—and although no drawings survive from that trip, he brought back many pastoral scenes that he painted in the French countryside. By the time he returned 10 months later, Cross notes, “he returned to America penniless,” intent on marketing his work to wealthy buyers. The oils and watercolors that Homer produced for the next decades of his life, as he grew increasingly famous, reflect the landscapes in which he thrived: the White Mountains, Jersey shore, Caribbean, Adirondacks, and Prouts Neck, Maine, where his family had bought property. His subjects often were ordinary men and women—including those newly freed from slavery—engaged in work or pleasure. This deeply contextualized portrait features more than 400 images, including maps drawn specifically for this volume.

Gracefully written, empathetic, and authoritative.

Pub Date: April 12, 2022

ISBN: 978-0-374-60379-3

Page Count: 560

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 11, 2022

Kirkus Reviews Issue: May 1, 2022

Next book

107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

Next book

POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

Close Quickview