A success both as guts-and-glory melodrama and as a collection of eye-opening true stories from the Civil War.
Monumental, bombs-bursting-in-air epic of nearly 50 characters who fight, steal, seduce, scheme, and have the time of their lives in and around Civil War–era North Carolina.
Indeed, you’d think that state was the epicenter of the conflict in this massive fiction whose tangled plot spans only the years 1861–63. But that’s no surprise, given that in his three-volume history, The Civil War in North Carolina, Trotter argued persuasively that the coastal state played a pivotal role in the war. His experience as a novelist (Winter Fire, 1993, etc.) is also evident here, from the cliffhanger opening all the way through Confederate Colonel William Lamb’s plot-teasing final monologue (“He would learn on that day the true strength of what he had created upon these windswept sands and meet the destiny that would be the measure of his life”). The characters, most of them based on actual people, have a regrettable tendency to lapse into history-speak (“The South has an agrarian economy, so every man they put in the field reduces the wealth of that economy”; “As a defense against the full might of the Federal navy, which may appear on that horizon at any moment, these batteries amount to nothing!”), but they are otherwise delightful. We meet sexy female spies, valiant African-American fighters, winsome privateers, sneaky bushwhackers, and a host of scalawags at all levels of command in Richmond and Washington. What drives them into the breach isn’t so much an attempt to settle the issues of slavery and secession as it is pride of country, class, blood, and racial origin. Trotter’s battle scenes, especially those featuring the amazing (and historically accurate) exploits of Union Naval Commander William Cushing and hashish-puffing British blockade runner Augustus Hobart-Hampden, show armed conflict as a gruesome challenge that more often than not brings out the best in those lucky enough to survive.
A success both as guts-and-glory melodrama and as a collection of eye-opening true stories from the Civil War.Pub Date: May 24, 2002
ISBN: 0-7867-1013-6
Page Count: 768
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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