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WINTER FIRE

A passionate tale of deep, mysterious Finland forests and complex moods in the music of Finnish composer Jean Sibelius, ably set in the fire and ice of WW II by historian/first-novelist Trotter (A Frozen Hell: The Russo-Finnish Winter War of 1939-40— not reviewed). Erich Ziegler, a promising young conductor whose career is interrupted by the Nazification of Germany's musical culture, first experiences the war on the frozen tundra near Murmansk. Rescued by his classical background from the front lines, he's drafted into military intelligence and sent to ferret out information from Finnish troops in the guise of a Wehrmacht liaison officer, but a chance sighting of Sibelius en route to his post quickly leads to friendship with the aging recluse. As a member of the composer's inner circle, Erich falls in love with a beautiful, enigmatic woman who is Sibelius's servant but whose forest ties have given her unusual abilities. The couple's relationship is interrupted when Erich allows pride to cloud his judgment during a command orchestra performance for Hitler, committing an act of defiance that lands him on the Russian front. There, he suffers severe shock from the battle conditions and is hospitalized, eventually returning to Finland at Sibelius's request. Although frustrated by the composer's refusal to acknowledge the existence of his long-awaited Eighth Symphony, Erich still prospers as his protÇgÇ; and after barely surviving the all-out Soviet assault on Finnish positions, he returns to the maestro's retreat to be given a solo performance of the work by the composer himself. But brutalized by the war and convinced that the score is about to be destroyed, he betrays both his host and the love of his forest maiden, running away to meet a tragic fate. Excessively melodramatic on occasion, but still a stunning evocation of Finnish landscapes, myth, and music, while the desperate conditions under which war was waged in northern Europe are brought savagely to life.

Pub Date: Feb. 18, 1993

ISBN: 0-525-93581-9

Page Count: 496

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1992

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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