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WASHITA!

WEIRD CUSTER

An occasionally funny historical farce.

A satire depicts George Armstrong Custer’s part in the American Indian Wars.

In 1868, in the proximate wake of the Civil War, Andrew Johnson is president, his ascendancy to the position the consequence of Abraham Lincoln’s assassination. Portrayed by Sumrall (Metal Storm, 2015) as insane—bipolar and schizophrenic—Johnson is under enormous pressure to counter seasonal raids by warlike Native Americans throughout the Oklahoma Territory. Johnson only trusts Lt. Col. Custer (alternately referred to as Boy General and Yellow Hair) to lead a massive attack of the 7th Cavalry against the Native Americans in the Washita Valley, an operation boldly designed by Gen. Philip Sheridan, an opioid addict, during the winter. The strategy is meant to overwhelm a modestly sized village jointly governed by the pacifistic Chief Little Rock and Black Kettle. But when a sizable Native American army returns from a raid and refuses to be restrained by the chiefs, Custer and his men find themselves suddenly overpowered. The author’s amusingly eccentric account parodies the real madness of the time: Custer’s wife, Elizabeth, so ambitiously boosts her husband’s career, she sends racy photos of herself to the president. And the pathologically suspicious Johnson tortures Gen. Ulysses S. Grant in the basement of the White House in order to solicit a confession of his perfidy. At one point, fully committing himself to a surrealist brand of high absurdity, the author introduces a spacecraft manned by humanlike aliens. Sumrall’s satire hits some authentically humorous notes, and he has an intriguing sensitivity to the egomaniacal hubris of grand historical actors. In addition, the author achieves something rare—a historical novel whose plot defies readers’ anticipations. But the story devolves into slapstick silliness and eventually becomes tedious. Furthermore, the prose is ecstatically overwrought and leaden as well as confusing: “The florid, hybrid clothing apparel added a kaleidoscope of color to the growing number of warriors. This seething, tinctured panoply of garish pigmentation was converging into a sentient, multihued killing entity.” This is more a comedy routine than a volume of historical fiction, which might work if it were not a novel’s length. 

An occasionally funny historical farce. 

Pub Date: March 22, 2018

ISBN: 978-0-9973754-7-3

Page Count: 250

Publisher: Shanti Publishing

Review Posted Online: Aug. 25, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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