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WASHITA!

WEIRD CUSTER

An occasionally funny historical farce.

A satire depicts George Armstrong Custer’s part in the American Indian Wars.

In 1868, in the proximate wake of the Civil War, Andrew Johnson is president, his ascendancy to the position the consequence of Abraham Lincoln’s assassination. Portrayed by Sumrall (Metal Storm, 2015) as insane—bipolar and schizophrenic—Johnson is under enormous pressure to counter seasonal raids by warlike Native Americans throughout the Oklahoma Territory. Johnson only trusts Lt. Col. Custer (alternately referred to as Boy General and Yellow Hair) to lead a massive attack of the 7th Cavalry against the Native Americans in the Washita Valley, an operation boldly designed by Gen. Philip Sheridan, an opioid addict, during the winter. The strategy is meant to overwhelm a modestly sized village jointly governed by the pacifistic Chief Little Rock and Black Kettle. But when a sizable Native American army returns from a raid and refuses to be restrained by the chiefs, Custer and his men find themselves suddenly overpowered. The author’s amusingly eccentric account parodies the real madness of the time: Custer’s wife, Elizabeth, so ambitiously boosts her husband’s career, she sends racy photos of herself to the president. And the pathologically suspicious Johnson tortures Gen. Ulysses S. Grant in the basement of the White House in order to solicit a confession of his perfidy. At one point, fully committing himself to a surrealist brand of high absurdity, the author introduces a spacecraft manned by humanlike aliens. Sumrall’s satire hits some authentically humorous notes, and he has an intriguing sensitivity to the egomaniacal hubris of grand historical actors. In addition, the author achieves something rare—a historical novel whose plot defies readers’ anticipations. But the story devolves into slapstick silliness and eventually becomes tedious. Furthermore, the prose is ecstatically overwrought and leaden as well as confusing: “The florid, hybrid clothing apparel added a kaleidoscope of color to the growing number of warriors. This seething, tinctured panoply of garish pigmentation was converging into a sentient, multihued killing entity.” This is more a comedy routine than a volume of historical fiction, which might work if it were not a novel’s length. 

An occasionally funny historical farce. 

Pub Date: March 22, 2018

ISBN: 978-0-9973754-7-3

Page Count: 250

Publisher: Shanti Publishing

Review Posted Online: Aug. 25, 2018

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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