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24

LIFE STORIES AND LESSONS FROM THE SAY HEY KID

A book primarily for baseball fans, but it offers plenty of material for readers interested in U.S. race relations.

Living legend Mays (b. 1931) and San Francisco Chronicle baseball writer Shea present fresh material about the often chronicled career of the superstar center fielder.

The title refers to Mays’ jersey number and also corresponds to the number of chapters in this conversational book. The majority of the text contains Shea's words about the Hall of Famer, but Mays’ own words are scattered throughout each chapter along with an excellent array of photographs from every stage of his life. The narrative is upbeat in the sense that the hundreds of individuals quoted are consistently enthralled by Mays' sterling character, positive outlook, and baseball talent. But it’s not all sunshine. Mays faced intense racism after transitioning from the Negro Leagues to white-dominated Major League Baseball. Though Jackie Robinson became the first black player to break the color barrier, the role of Mays as a racial pioneer in MLB is unquestionable. His white teammates and his few black mentors tended to protect him instinctively from the most repulsive racism, almost surely because of his winning personality as well as his on-field talents. In chapters framed by various life lessons—e.g., “Set an Example,” “Have Fun on the Job,” and “Benefit From Versatility”—the authors illuminate Mays’ stellar career; service in the Army in the early 1950s; meetings with many U.S. presidents, with Barack Obama as the most special; and the similarities and differences between him and players of his own era, especially Hank Aaron, as well as modern stars such as Barry Bonds and Mike Trout. Despite the scandal involving Bonds’ use of performance-enhancing drugs, Mays is adamant that he deserves entry into the Hall of Fame. Bob Costas provides the foreword, noting that “a strong case can be made for Willie Mays as the greatest all-around player in baseball history.”

A book primarily for baseball fans, but it offers plenty of material for readers interested in U.S. race relations. (color printed endpapers, 68 b/w photos)

Pub Date: May 5, 2020

ISBN: 978-1-250-23042-3

Page Count: 352

Publisher: St. Martin's

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 15, 2020

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WHEN WE SEE YOU AGAIN

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Remembering “Hershy.”

Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”

Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.

Pub Date: April 21, 2026

ISBN: 9798217198009

Page Count: 288

Publisher: Random House

Review Posted Online: April 21, 2026

Kirkus Reviews Issue: June 1, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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