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LOOKAWAY, LOOKAWAY

Barnhardt masterfully reimagines the Southern gothic: There is every kind of sordid deed committed, but there is also an...

Barnhardt’s fourth novel is a revelation: witty, savage and bighearted all at once, it is the Southern novel for the 21st century.

The Jarvis-Johnston clan is a Charlotte, N.C., family of distinction; they have all that matters to society: money, pedigree and manners enough to keep secrets buried. But, as each family member is revealed (spanning a decade, every character has their own chapter), the ruin of the family becomes imminent. When Jerilyn Johnston heads off to Chapel Hill, she seems the one child who will live up to her mother Jerene’s exacting standards. But when she pledges Sigma Kappa Nu, filled with rich, surgery-augmented party girls who hope to raise spring-break money by starting their own online porn site, Jerilyn falls into the abyss, which is a place her uncle Gaston Jarvis frequents with pleasure. Though in his youth he was a Young Turk of the literary world, for the last two decades he has churned out a regrettable Civil War series featuring the adventures of Cordelia Florabloom. The books have made him rich and bitter, his only solace a bar stool at the club. The great Southern novel he wanted to write, Lookaway Dixieland, conceived with his comrade in arms Duke Johnston, serves as a treacherous reminder of his wasted life. Jerene and Duke’s other children—Annie, the much-married left-wing rebel; Josh, who spends his evenings trolling for black men on the down low; and Bo, a Presbyterian minister who despises his congregation—are all beyond their parents’ control, contributing to the mother of all Christmas dinner disasters. Perhaps most poignant is patriarch Duke Johnston: the golden boy beloved by everyone, offered the world but who, in the end, locks himself away in his Civil War library, fixated on an insignificant battle, shielded by history.

Barnhardt masterfully reimagines the Southern gothic: There is every kind of sordid deed committed, but there is also an abundance of humanity and grace.

Pub Date: Aug. 20, 2013

ISBN: 978-1-250-02150-2

Page Count: 368

Publisher: St. Martin's

Review Posted Online: April 9, 2013

Kirkus Reviews Issue: June 1, 2013

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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FOUR FRIENDS

A thought-provoking look at women of a certain age and the choices they make when they realize their lives aren’t exactly...

In a Marin County neighborhood, four women help each other amid marital strife, personal crises and life-altering epiphanies.

For years, Mill Valley, Calif., neighbors Gerri, Andy and Sonja have started most of their days with a brisk walk, but one early spring morning, Andy has had enough with her younger second husband, and she skips the walk and throws him out. It is a loud, angry event, but it is a long time coming, and it sets off a series of surprising upheavals in the lives of her friends. Gerri takes an unplanned trip to her husband’s office in San Francisco, and a conversation with his co-worker makes her question everything she knew about her marriage. Sonja, dedicated to New-Age strategies for health and wellness, is thrown off balance by Andy’s marital strife, then spirals into life-threatening depression when her husband leaves her. As each woman deals with her own personal crossroad, they are collectively drawn to newcomer BJ, who has never shown interest in socializing before but becomes the fresh new pair of eyes that notices change at crucial moments and steps in to help when help is most needed. Hugely popular romance author Carr (The Wanderer, 2013, etc.) steps into women’s fiction territory with this quietly powerful exploration of friendship, marriage and midlife crisis. The characters are realistic and compelling, facing life after 40 with grace, courage and a fierce interpersonal loyalty that is convincing and inspiring. The storyline sounds familiar, yet Carr handles the plot and characters with a deft hand and enough unique twists that we are invested in the characters’ well-beings, and we are touched by their struggles, especially since we see each of them at their best and their worst.

A thought-provoking look at women of a certain age and the choices they make when they realize their lives aren’t exactly what they expected—or thought they were.

Pub Date: March 25, 2014

ISBN: 978-0-7783-1681-7

Page Count: 368

Publisher: Harlequin MIRA

Review Posted Online: Feb. 3, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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